Tate Gallery Oil Paintings - Free Download
All 3,383 oil-on-canvas artworks in the Tate collection, including artist name, title, date, dimensions, and URL. Spans British and international art from the 17th through 21st centuries. Contains 3383 records. Download in Excel, CSV, PDF formats.
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- Data sourced from: https://github.com/tategallery/collection
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| Id | Accession Number | Artist | Artist Id | Title | Date Text | Medium | Year | Acquisition Year | Width | Height | Url |
|---|---|---|---|---|---|---|---|---|---|---|---|
| 8609 | A00741 | Leslie, Charles Robert | 346 | Head of Prince Hal | c.1851 | Oil paint on canvas | 1851 | 1900 | 140 | 102 | http://www.tate.org.uk/art/artworks/leslie-head-of-prince-hal-a00741 |
| 12386 | A00837 | Reynolds, Sir Joshua | 444 | The Holy Family with the Infant St John | 1788–9 | Oil paint on canvas | 1788 | 1830 | 1981 | 1492 | http://www.tate.org.uk/art/artworks/reynolds-the-holy-family-with-the-infant-st-john-a00837 |
| 12749 | A00839 | Rooke, Thomas Matthews | 458 | Ruth and Naomi | 1876–7 | Oil paint on canvas | 1876 | 1877 | 660 | 394 | http://www.tate.org.uk/art/artworks/rooke-ruth-and-naomi-a00839 |
| 12750 | A00840 | Rooke, Thomas Matthews | 458 | Ruth and Boaz | 1876–7 | Oil paint on canvas | 1876 | 1877 | 660 | 337 | http://www.tate.org.uk/art/artworks/rooke-ruth-and-boaz-a00840 |
| 12751 | A00841 | Rooke, Thomas Matthews | 458 | Naomi, Ruth and Obed | 1876–7 | Oil paint on canvas | 1876 | 1877 | 660 | 394 | http://www.tate.org.uk/art/artworks/rooke-naomi-ruth-and-obed-a00841 |
| 14609 | A00909 | Turner, Joseph Mallord William | 558 | The Death of Actaeon, with a Distant View of Montjovet, Val d’Aosta | c.1837 | Oil paint on canvas | 1837 | 1856 | 1492 | 1111 | http://www.tate.org.uk/art/artworks/turner-the-death-of-actaeon-with-a-distant-view-of-montjovet-val-daosta-a00909 |
| 98385 | AR00027 | Richter, Gerhard | 1841 | Abstract Painting (809-3) | 1994 | Oil paint on canvas | 1994 | 2008 | 2300 | 2048 | http://www.tate.org.uk/art/artworks/richter-abstract-painting-809-3-ar00027 |
| 98386 | AR00028 | Richter, Gerhard | 1841 | Abstract Painting (Skin) (887-3) | 2004 | Oil paint on canvas | 2004 | 2008 | 2300 | 2049 | http://www.tate.org.uk/art/artworks/richter-abstract-painting-skin-887-3-ar00028 |
| 98301 | AR00031 | Baselitz, Georg | 699 | Folkdance Melancholia | 1989 | Oil paint on canvas | 1989 | 2008 | 2504 | 2510 | http://www.tate.org.uk/art/artworks/baselitz-folkdance-melancholia-ar00031 |
| 98303 | AR00032 | Baselitz, Georg | 699 | Where is the Yellow Milkjug, Mrs Bird? | 1989 | Oil paint on canvas | 1989 | 2008 | 2504 | 2505 | http://www.tate.org.uk/art/artworks/baselitz-where-is-the-yellow-milkjug-mrs-bird-ar00032 |
| 95898 | AR00083 | Holzer, Jenny | 1307 | Protect Protect | 2007 | Oil paint on canvas | 2007 | 2008 | 2011 | 2600 | http://www.tate.org.uk/art/artworks/holzer-protect-protect-ar00083 |
| 95899 | AR00084 | Holzer, Jenny | 1307 | Shape the Battlespace | 2007 | Oil paint on canvas | 2007 | 2008 | 2011 | 2602 | http://www.tate.org.uk/art/artworks/holzer-shape-the-battlespace-ar00084 |
| 98380 | AR00344 | Richter, Gerhard | 1841 | Brigid Polk (305) | 1971 | Oil paint on canvas | 1971 | 2009 | 1750 | 1752 | http://www.tate.org.uk/art/artworks/richter-brigid-polk-305-ar00344 |
| 98213 | AR00497 | Kounellis, Jannis | 1438 | Untitled | 1971 | Oil paint on canvas | 1971 | 2009 | 2200 | 3169 | http://www.tate.org.uk/art/artworks/kounellis-untitled-ar00497 |
| 104853 | AR01126 | Ruscha, Edward | 1882 | The Music from the Balconies | 1984 | Oil paint on canvas | 1984 | 2010 | 2515 | 2057 | http://www.tate.org.uk/art/artworks/ruscha-the-music-from-the-balconies-ar01126 |
| 111597 | AR01132 | Holzer, Jenny | 1307 | Phase I... Running Start Shape the Battlespace pewter | 2007 | Oil paint on canvas | 2007 | 2011 | 2011 | 2600 | http://www.tate.org.uk/art/artworks/holzer-phase-i-running-start-shape-the-battlespace-pewter-ar01132 |
| 111598 | AR01133 | Holzer, Jenny | 1307 | Phase II... Running Start Decisive Operations violet | 2007 | Oil paint on canvas | 2007 | 2011 | 2011 | 2600 | http://www.tate.org.uk/art/artworks/holzer-phase-ii-running-start-decisive-operations-violet-ar01133 |
| 111599 | AR01134 | Holzer, Jenny | 1307 | Force at End of Phase III (If Required) violet | 2007 | Oil paint on canvas | 2007 | 2011 | 2011 | 2600 | http://www.tate.org.uk/art/artworks/holzer-force-at-end-of-phase-iii-if-required-violet-ar01134 |
| 111600 | AR01135 | Holzer, Jenny | 1307 | Phase III - Decisive Operations violet | 2007 | Oil paint on canvas | 2007 | 2011 | 2011 | 2600 | http://www.tate.org.uk/art/artworks/holzer-phase-iii-decisive-operations-violet-ar01135 |
| 116697 | AR01152 | Creed, Martin | 2760 | Work No. 1103 | 2011 | Oil paint on canvas | 2011 | 2012 | 610 | 457 | http://www.tate.org.uk/art/artworks/creed-work-no-1103-ar01152 |
| 28311 | D00899 | British School 18th century | 59 | Fragment of a Composition: A Ruin beyond a Lake, with Cattle in the Foreground | ?c.1780 | Oil paint on canvas | 1780 | 1856 | 201 | 152 | http://www.tate.org.uk/art/artworks/british-school-18th-century-fragment-of-a-composition-a-ruin-beyond-a-lake-with-cattle-in-d00899 |
| 31568 | D04173 | British School 18th century | 59 | Dedham Vale | c.1795–1800 | Oil paint on canvas | 1795 | 1856 | 215 | 266 | http://www.tate.org.uk/art/artworks/british-school-18th-century-dedham-vale-d04173 |
| 12387 | N00079 | Reynolds, Sir Joshua | 444 | Three Ladies Adorning a Term of Hymen | 1773 | Oil paint on canvas | 1773 | 1837 | 2337 | 2908 | http://www.tate.org.uk/art/artworks/reynolds-three-ladies-adorning-a-term-of-hymen-n00079 |
| 2786 | N00100 | Copley, John Singleton | 113 | The Collapse of the Earl of Chatham in the House of Lords, 7 July 1778 | 1779–80 | Oil paint on canvas | 1779 | 1830 | 2286 | 3073 | http://www.tate.org.uk/art/artworks/copley-the-collapse-of-the-earl-of-chatham-in-the-house-of-lords-7-july-1778-n00100 |
| 12388 | N00106 | Reynolds, Sir Joshua | 444 | A Man’s Head | c.1771–3 | Oil paint on canvas | 1771 | 1826 | 584 | 457 | http://www.tate.org.uk/art/artworks/reynolds-a-mans-head-n00106 |
| 12389 | N00107 | Reynolds, Sir Joshua | 444 | The Banished Lord | engraved 1777 | Oil paint on canvas | 1777 | 1826 | 756 | 622 | http://www.tate.org.uk/art/artworks/reynolds-the-banished-lord-n00107 |
| 16223 | N00108 | Wilson, Richard | 606 | Distant View of Maecenas’ Villa, Tivoli | c.1756–7 | Oil paint on canvas | 1756 | 1823 | 1219 | 1702 | http://www.tate.org.uk/art/artworks/wilson-distant-view-of-maecenas-villa-tivoli-n00108 |
| 6612 | N00112 | Hogarth, William | 265 | The Painter and his Pug | 1745 | Oil paint on canvas | 1745 | 1824 | 900 | 699 | http://www.tate.org.uk/art/artworks/hogarth-the-painter-and-his-pug-n00112 |
| 830 | N00119 | Beaumont, Sir George Howland, Bt | 29 | Landscape, with Jacques and the Wounded Stag | ?1819 | Oil paint on canvas | 1819 | 1828 | 756 | 1016 | http://www.tate.org.uk/art/artworks/beaumont-landscape-with-jacques-and-the-wounded-stag-n00119 |
| 839 | N00120 | Beechey, Sir William | 30 | Joseph Nollekens | exhibited 1812 | Oil paint on canvas | 1812 | 1835 | 762 | 635 | http://www.tate.org.uk/art/artworks/beechey-joseph-nollekens-n00120 |
| 16095 | N00121 | West, Benjamin | 594 | Cleombrotus Ordered into Banishment by Leonidas II, King of Sparta | 1768 | Oil paint on canvas | 1768 | 1827 | 1384 | 1854 | http://www.tate.org.uk/art/artworks/west-cleombrotus-ordered-into-banishment-by-leonidas-ii-king-of-sparta-n00121 |
| 16173 | N00122 | Wilkie, Sir David | 600 | The Village Holiday | 1809–11 | Oil paint on canvas | 1809 | 1824 | 940 | 1276 | http://www.tate.org.uk/art/artworks/wilkie-the-village-holiday-n00122 |
| 16096 | N00126 | West, Benjamin | 594 | Pylades and Orestes Brought as Victims before Iphigenia | 1766 | Oil paint on canvas | 1766 | 1826 | 1003 | 1264 | http://www.tate.org.uk/art/artworks/west-pylades-and-orestes-brought-as-victims-before-iphigenia-n00126 |
| 16097 | N00132 | West, Benjamin | 594 | The Last Supper | 1784 | Oil paint on canvas | 1784 | 1828 | 1830 | 2757 | http://www.tate.org.uk/art/artworks/west-the-last-supper-n00132 |
| 6704 | N00133 | Hoppner, John | 276 | William Smith the Actor | c.1788 | Oil paint on canvas | 1788 | 1837 | 792 | 514 | http://www.tate.org.uk/art/artworks/hoppner-william-smith-the-actor-n00133 |
| 8428 | N00136 | Lawrence, Sir Thomas | 334 | Miss Laura Dorothea Ross (Mrs Francis Robertson) | c.1798–1804 | Oil paint on canvas | 1798 | 1837 | 2397 | 1473 | http://www.tate.org.uk/art/artworks/lawrence-miss-laura-dorothea-ross-mrs-francis-robertson-n00136 |
| 8429 | N00142 | Lawrence, Sir Thomas | 334 | John Philip Kemble as Hamlet | 1801 | Oil paint on canvas | 1801 | 1836 | 3061 | 1981 | http://www.tate.org.uk/art/artworks/lawrence-john-philip-kemble-as-hamlet-n00142 |
| 12390 | N00143 | Reynolds, Sir Joshua | 444 | Lord Ligonier | 1760 | Oil paint on canvas | 1760 | 1836 | 2812 | 2357 | http://www.tate.org.uk/art/artworks/reynolds-lord-ligonier-n00143 |
| 8430 | N00144 | Lawrence, Sir Thomas | 334 | Benjamin West, P.R.A. (replica) | c.1821 | Oil paint on canvas | 1821 | 1836 | 2683 | 1768 | http://www.tate.org.uk/art/artworks/lawrence-benjamin-west-pra-replica-n00144 |
| 12391 | N00162 | Reynolds, Sir Joshua | 444 | The Infant Samuel | c.1776 | Oil paint on canvas | 1776 | 1828 | 914 | 714 | http://www.tate.org.uk/art/artworks/reynolds-the-infant-samuel-n00162 |
| 6466 | N00178 | Hilton, William, the Younger | 261 | Sir Calepine Rescuing Serena | exhibited 1831 | Oil paint on canvas | 1831 | 1841 | 1378 | 2292 | http://www.tate.org.uk/art/artworks/hilton-sir-calepine-rescuing-serena-n00178 |
| 12392 | N00182 | Reynolds, Sir Joshua | 444 | A Child’s Portrait in Different Views: ‘Angel’s Heads’ | 1786–7 | Oil paint on canvas | 1786 | 1841 | 749 | 629 | http://www.tate.org.uk/art/artworks/reynolds-a-childs-portrait-in-different-views-angels-heads-n00182 |
| 11567 | N00183 | Phillips, Thomas | 423 | Sir David Wilkie, R.A. | 1829 | Oil paint on canvas | 1829 | 1842 | 997 | 762 | http://www.tate.org.uk/art/artworks/phillips-sir-david-wilkie-ra-n00183 |
| 8431 | N00188 | Lawrence, Sir Thomas | 334 | Mrs Siddons | 1804 | Oil paint on canvas | 1804 | 1843 | 2540 | 1480 | http://www.tate.org.uk/art/artworks/lawrence-mrs-siddons-n00188 |
| 13973 | N00217 | Stuart, Gilbert | 537 | William Woollett the Engraver | exhibited 1783 | Oil paint on canvas | 1783 | 1849 | 902 | 705 | http://www.tate.org.uk/art/artworks/stuart-william-woollett-the-engraver-n00217 |
| 13974 | N00229 | Stuart, Gilbert | 537 | Benjamin West, P.R.A. | ?exhibited 1781 | Oil paint on canvas | 1781 | 1853 | 895 | 698 | http://www.tate.org.uk/art/artworks/stuart-benjamin-west-pra-n00229 |
| 16174 | N00231 | Wilkie, Sir David | 600 | Thomas Daniell, R.A. | 1838 | Oil paint on canvas | 1838 | 1853 | 749 | 629 | http://www.tate.org.uk/art/artworks/wilkie-thomas-daniell-ra-n00231 |
| 6714 | N00233 | Hoppner, John | 276 | William Pitt | c.1806–7 | Oil paint on canvas | 1806 | 1853 | 1416 | 1092 | http://www.tate.org.uk/art/artworks/hoppner-william-pitt-n00233 |
| 16224 | N00267 | Wilson, Richard | 606 | Lake Avernus | date not known | Oil paint on canvas | 1854 | 229 | 292 | http://www.tate.org.uk/art/artworks/wilson-lake-avernus-n00267 | |
| 8150 | N00273 | Kneller, Sir Godfrey | 310 | John Smith the Engraver | 1696 | Oil paint on canvas | 1696 | 1856 | 758 | 630 | http://www.tate.org.uk/art/artworks/kneller-john-smith-the-engraver-n00273 |
| 16225 | N00301 | Wilson, Richard | 606 | Strada Nomentana | c.1765–70 | Oil paint on canvas | 1765 | 1847 | 571 | 762 | http://www.tate.org.uk/art/artworks/wilson-strada-nomentana-n00301 |
| 16226 | N00302 | Wilson, Richard | 606 | Hadrian’s Villa | c.1765 | Oil paint on canvas | 1765 | 1847 | 356 | 254 | http://www.tate.org.uk/art/artworks/wilson-hadrians-villa-n00302 |
| 16227 | N00303 | Wilson, Richard | 606 | Maecenas’ Villa, Tivoli | c.1765 | Oil paint on canvas | 1765 | 1847 | 361 | 254 | http://www.tate.org.uk/art/artworks/wilson-maecenas-villa-tivoli-n00303 |
| 16228 | N00304 | Wilson, Richard | 606 | Lake Avernus and the Island of Capri | c.1760 | Oil paint on canvas | 1760 | 1847 | 470 | 724 | http://www.tate.org.uk/art/artworks/wilson-lake-avernus-and-the-island-of-capri-n00304 |
| 12393 | N00305 | Reynolds, Sir Joshua | 444 | Sir Abraham Hume | c.1783 | Oil paint on canvas | 1783 | 1847 | 698 | 552 | http://www.tate.org.uk/art/artworks/reynolds-sir-abraham-hume-n00305 |
| 12394 | N00306 | Reynolds, Sir Joshua | 444 | Self-Portrait | c.1775 | Oil paint on canvas | 1775 | 1847 | 737 | 610 | http://www.tate.org.uk/art/artworks/reynolds-self-portrait-n00306 |
| 12395 | N00307 | Reynolds, Sir Joshua | 444 | The Age of Innocence | ?1788 | Oil paint on canvas | 1788 | 1847 | 765 | 638 | http://www.tate.org.uk/art/artworks/reynolds-the-age-of-innocence-n00307 |
| 4892 | N00308 | Gainsborough, Thomas | 199 | Musidora | c.1780–8 | Oil paint on canvas | 1780 | 1847 | 1880 | 1530 | http://www.tate.org.uk/art/artworks/gainsborough-musidora-n00308 |
| 4893 | N00309 | Gainsborough, Thomas | 199 | Boy Driving Cows near a Pool | c.1786 | Oil paint on canvas | 1786 | 1847 | 584 | 762 | http://www.tate.org.uk/art/artworks/gainsborough-boy-driving-cows-near-a-pool-n00309 |
| 4894 | N00310 | Gainsborough, Thomas | 199 | Sunset: Carthorses Drinking at a Stream | c.1760 | Oil paint on canvas | 1760 | 1847 | 1435 | 1537 | http://www.tate.org.uk/art/artworks/gainsborough-sunset-carthorses-drinking-at-a-stream-n00310 |
| 4055 | N00311 | Dupont, Gainsborough | 162 | Cottage Children | date not known | Oil paint on canvas | 1847 | 457 | 356 | http://www.tate.org.uk/art/artworks/dupont-cottage-children-n00311 | |
| 12728 | N00312 | Romney, George | 457 | Lady Hamilton (?as a Figure in ‘Fortune Telling’) | c.1782–4 | Oil paint on canvas | 1782 | 1847 | 495 | 400 | http://www.tate.org.uk/art/artworks/romney-lady-hamilton-as-a-figure-in-fortune-telling-n00312 |
| 13200 | N00313 | Scott, Samuel | 480 | A View of London Bridge before the Late Alterations | engraved 1758 | Oil paint on canvas | 1758 | 1847 | 286 | 546 | http://www.tate.org.uk/art/artworks/scott-a-view-of-london-bridge-before-the-late-alterations-n00313 |
| 13201 | N00314 | Scott, Samuel | 480 | A View of Westminster Bridge and Parts Adjacent | engraved 1758 | Oil paint on canvas | 1758 | 1847 | 298 | 540 | http://www.tate.org.uk/art/artworks/scott-a-view-of-westminster-bridge-and-parts-adjacent-n00314 |
| 16098 | N00315 | West, Benjamin | 594 | Sketch for ‘The Installation of the Order of the Garter’ | c.1787 | Oil paint on canvas | 1787 | 1847 | 406 | 559 | http://www.tate.org.uk/art/artworks/west-sketch-for-the-installation-of-the-order-of-the-garter-n00315 |
| 3717 | N00316 | De Loutherbourg, Philip James | 145 | Lake Scene, Evening | 1792 | Oil paint on canvas | 1792 | 1847 | 425 | 603 | http://www.tate.org.uk/art/artworks/de-loutherbourg-lake-scene-evening-n00316 |
| 13925 | N00317 | Stothard, Thomas | 531 | The Vintage | exhibited 1821 | Oil paint on canvas | 1821 | 1847 | 1048 | 1321 | http://www.tate.org.uk/art/artworks/stothard-the-vintage-n00317 |
| 13926 | N00318 | Stothard, Thomas | 531 | A Woodland Dance | date not known | Oil paint on canvas | 1847 | 638 | 470 | http://www.tate.org.uk/art/artworks/stothard-a-woodland-dance-n00318 | |
| 13928 | N00320 | Stothard, Thomas | 531 | Diana and her Nymphs Bathing | exhibited 1816 | Oil paint on canvas | 1816 | 1847 | 508 | 610 | http://www.tate.org.uk/art/artworks/stothard-diana-and-her-nymphs-bathing-n00320 |
| 13929 | N00321 | Stothard, Thomas | 531 | Intemperance: Mark Antony and Cleopatra | c.1802, ?exhibited 1805 | Oil paint on canvas | 1802 | 1847 | 495 | 749 | http://www.tate.org.uk/art/artworks/stothard-intemperance-mark-antony-and-cleopatra-n00321 |
| 13930 | N00322 | Stothard, Thomas | 531 | A Battle | date not known | Oil paint on canvas | 1847 | 610 | 686 | http://www.tate.org.uk/art/artworks/stothard-a-battle-n00322 | |
| 8432 | N00324 | Lawrence, Sir Thomas | 334 | The Countess of Darnley | c.1825–30 | Oil paint on canvas | 1825 | 1847 | 690 | 565 | http://www.tate.org.uk/art/artworks/lawrence-the-countess-of-darnley-n00324 |
| 2584 | N00327 | Constable, John | 108 | The Valley Farm | 1835 | Oil paint on canvas | 1835 | 1847 | 1473 | 1251 | http://www.tate.org.uk/art/artworks/constable-the-valley-farm-n00327 |
| 16180 | N00332 | Wilkie, Sir David | 600 | The Peep-o’-Day Boys’ Cabin, in the West of Ireland | 1835–6, exhibited 1836 | Oil paint on canvas | 1835 | 1847 | 1257 | 1753 | http://www.tate.org.uk/art/artworks/wilkie-the-peep-o-day-boys-cabin-in-the-west-of-ireland-n00332 |
| 6467 | N00333 | Hilton, William, the Younger | 261 | Editha and the Monks Searching for the Body of Harold | exhibited 1834 | Oil paint on canvas | 1834 | 1847 | 3340 | 2437 | http://www.tate.org.uk/art/artworks/hilton-editha-and-the-monks-searching-for-the-body-of-harold-n00333 |
| 6468 | N00334 | Hilton, William, the Younger | 261 | Study of Editha’s Head for ‘Editha and the Monks’ | c.1834 | Oil paint on canvas | 1834 | 1847 | 522 | 663 | http://www.tate.org.uk/art/artworks/hilton-study-of-edithas-head-for-editha-and-the-monks-n00334 |
| 6469 | N00335 | Hilton, William, the Younger | 261 | Study of a Monk’s Head for ‘Editha and the Monks’ | c.1834 | Oil paint on canvas | 1834 | 1847 | 495 | 356 | http://www.tate.org.uk/art/artworks/hilton-study-of-a-monks-head-for-editha-and-the-monks-n00335 |
| 6470 | N00337 | Hilton, William, the Younger | 261 | Cupid and Nymph | exhibited 1828 | Oil paint on canvas | 1828 | 1847 | 724 | 889 | http://www.tate.org.uk/art/artworks/hilton-cupid-and-nymph-n00337 |
| 6471 | N00338 | Hilton, William, the Younger | 261 | Rebecca and Abraham’s Servant at the Well | exhibited 1833 | Oil paint on canvas | 1833 | 1847 | 864 | 1105 | http://www.tate.org.uk/art/artworks/hilton-rebecca-and-abrahams-servant-at-the-well-n00338 |
| 1903 | N00340 | Callcott, Sir Augustus Wall | 78 | Returning from Market | exhibited 1834 | Oil paint on canvas | 1834 | 1847 | 1092 | 1448 | http://www.tate.org.uk/art/artworks/callcott-returning-from-market-n00340 |
| 1904 | N00341 | Callcott, Sir Augustus Wall | 78 | Dutch Coast Scene | exhibited 1832 | Oil paint on canvas | 1832 | 1847 | 686 | 914 | http://www.tate.org.uk/art/artworks/callcott-dutch-coast-scene-n00341 |
| 1906 | N00343 | Callcott, Sir Augustus Wall | 78 | Wooden Bridge | c.1835 | Oil paint on canvas | 1835 | 1847 | 229 | 298 | http://www.tate.org.uk/art/artworks/callcott-wooden-bridge-n00343 |
| 1908 | N00345 | Callcott, Sir Augustus Wall | 78 | Littlehampton Pier | 1811–2 | Oil paint on canvas | 1811 | 1847 | 1067 | 1410 | http://www.tate.org.uk/art/artworks/callcott-littlehampton-pier-n00345 |
| 1909 | N00346 | Callcott, Sir Augustus Wall | 78 | Entrance to Pisa from Leghorn | exhibited 1833 | Oil paint on canvas | 1833 | 1847 | 1067 | 1626 | http://www.tate.org.uk/art/artworks/callcott-entrance-to-pisa-from-leghorn-n00346 |
| 1910 | N00347 | Callcott, Sir Augustus Wall | 78 | Dutch Peasants Waiting the Return of the Passage Boat | exhibited 1834 | Oil paint on canvas | 1834 | 1847 | 648 | 959 | http://www.tate.org.uk/art/artworks/callcott-dutch-peasants-waiting-the-return-of-the-passage-boat-n00347 |
| 6891 | N00349 | Howard, Henry | 279 | The Florentine Girl (‘The Artist’s Daughter’) | exhibited 1827 | Oil paint on canvas | 1827 | 1847 | 965 | 610 | http://www.tate.org.uk/art/artworks/howard-the-florentine-girl-the-artists-daughter-n00349 |
| 2521 | N00351 | Collins, William | 105 | Happy as a King (replica) | c.1836 | Oil paint on canvas | 1836 | 1847 | 711 | 914 | http://www.tate.org.uk/art/artworks/collins-happy-as-a-king-replica-n00351 |
| 10644 | N00353 | Newton, Gilbert Stuart | 399 | Yorick and the Grisette | exhibited 1830 | Oil paint on canvas | 1830 | 1847 | 759 | 571 | http://www.tate.org.uk/art/artworks/newton-yorick-and-the-grisette-n00353 |
| 4163 | N00356 | Etty, William | 172 | Youth on the Prow, and Pleasure at the Helm | 1830–2, exhibited 1832 | Oil paint on canvas | 1830 | 1847 | 1587 | 1175 | http://www.tate.org.uk/art/artworks/etty-youth-on-the-prow-and-pleasure-at-the-helm-n00356 |
| 4164 | N00357 | Etty, William | 172 | The Persian | exhibited 1834 | Oil paint on canvas | 1834 | 1847 | 408 | 310 | http://www.tate.org.uk/art/artworks/etty-the-persian-n00357 |
| 4165 | N00358 | Etty, William | 172 | Candaules, King of Lydia, Shews his Wife by Stealth to Gyges, One of his Ministers, as She Goes to Bed | exhibited 1830 | Oil paint on canvas | 1830 | 1847 | 451 | 559 | http://www.tate.org.uk/art/artworks/etty-candaules-king-of-lydia-shews-his-wife-by-stealth-to-gyges-one-of-his-ministers-as-n00358 |
| 4169 | N00362 | Etty, William | 172 | Christ Appearing to Mary Magdalene after the Resurrection | exhibited 1834 | Oil paint on canvas | 1834 | 1847 | 407 | 667 | http://www.tate.org.uk/art/artworks/etty-christ-appearing-to-mary-magdalene-after-the-resurrection-n00362 |
| 4171 | N00364 | Etty, William | 172 | Window in Venice, during a Festa | exhibited 1831 | Oil paint on canvas | 1831 | 1847 | 610 | 502 | http://www.tate.org.uk/art/artworks/etty-window-in-venice-during-a-festa-n00364 |
| 13359 | N00367 | Shee, Sir Martin Archer | 490 | A Young Bacchus | exhibited 1824 | Oil paint on canvas | 1824 | 1847 | 705 | 905 | http://www.tate.org.uk/art/artworks/shee-a-young-bacchus-n00367 |
| 13360 | N00368 | Shee, Sir Martin Archer | 490 | Thomas Morton Esq. | exhibited 1835 | Oil paint on canvas | 1835 | 1847 | 762 | 635 | http://www.tate.org.uk/art/artworks/shee-thomas-morton-esq-n00368 |
| 14716 | N00369 | Turner, Joseph Mallord William | 558 | The Prince of Orange, William III, Embarked from Holland, and Landed at Torbay, November 4th, 1688, after a Stormy Passage | exhibited 1832 | Oil paint on canvas | 1832 | 1847 | 902 | 1200 | http://www.tate.org.uk/art/artworks/turner-the-prince-of-orange-william-iii-embarked-from-holland-and-landed-at-torbay-n00369 |
| 14718 | N00371 | Turner, Joseph Mallord William | 558 | The Golden Bough | exhibited 1834 | Oil paint on canvas | 1834 | 1847 | 1041 | 1638 | http://www.tate.org.uk/art/artworks/turner-the-golden-bough-n00371 |
| 14719 | N00372 | Turner, Joseph Mallord William | 558 | The Dogano, San Giorgio, Citella, from the Steps of the Europa | exhibited 1842 | Oil paint on canvas | 1842 | 1847 | 616 | 927 | http://www.tate.org.uk/art/artworks/turner-the-dogano-san-giorgio-citella-from-the-steps-of-the-europa-n00372 |
| 1300 | N00374 | Bonington, Richard Parkes | 41 | View of the Piazzetta near the Square of St Mark, Venice | 1827, exhibited 1828 | Oil paint on canvas | 1827 | 1847 | 457 | 375 | http://www.tate.org.uk/art/artworks/bonington-view-of-the-piazzetta-near-the-square-of-st-mark-venice-n00374 |
| 1489 | N00375 | Briggs, Henry Perronet | 55 | The First Interview between the Spaniards and the Peruvians | exhibited 1827 | Oil paint on canvas | 1827 | 1847 | 1448 | 1956 | http://www.tate.org.uk/art/artworks/briggs-the-first-interview-between-the-spaniards-and-the-peruvians-n00375 |
| 1490 | N00376 | Briggs, Henry Perronet | 55 | Romeo and Juliet - Act II Scene 5 (‘Juliet and her Nurse’) | exhibited 1827 | Oil paint on canvas | 1827 | 1847 | 889 | 698 | http://www.tate.org.uk/art/artworks/briggs-romeo-and-juliet-act-ii-scene-5-juliet-and-her-nurse-n00376 |
| 2306 | N00377 | Clint, George | 98 | Falstaff’s Assignation with Mrs Ford | ?1830–1, exhibited 1831 | Oil paint on canvas | 1830 | 1847 | 768 | 641 | http://www.tate.org.uk/art/artworks/clint-falstaffs-assignation-with-mrs-ford-n00377 |
| 13433 | N00382 | Simpson, John | 495 | Head of a Man (?Ira Frederick Aldridge) | exhibited 1827 | Oil paint on canvas | 1827 | 1847 | 733 | 562 | http://www.tate.org.uk/art/artworks/simpson-head-of-a-man-ira-frederick-aldridge-n00382 |
| 16488 | N00383 | Wyatt, Henry | 616 | Vigilance | 1835, exhibited 1835 | Oil paint on canvas | 1835 | 1847 | 349 | 298 | http://www.tate.org.uk/art/artworks/wyatt-vigilance-n00383 |
| 16489 | N00384 | Wyatt, Henry | 616 | Archimedes | ?exhibited 1832 | Oil paint on canvas | 1832 | 1847 | 759 | 625 | http://www.tate.org.uk/art/artworks/wyatt-archimedes-n00384 |
| 15920 | N00385 | Ward, James | 581 | View in Tabley Park | 1813–8 | Oil paint on canvas | 1813 | 1847 | 940 | 1359 | http://www.tate.org.uk/art/artworks/ward-view-in-tabley-park-n00385 |
| 15680 | N00387 | Uwins, Thomas | 560 | The Vintage in the Claret Vineyards of the South of France | 1847–8, exhibited 1848 | Oil paint on canvas | 1847 | 1847 | 787 | 1549 | http://www.tate.org.uk/art/artworks/uwins-the-vintage-in-the-claret-vineyards-of-the-south-of-france-n00387 |
| 15681 | N00388 | Uwins, Thomas | 560 | Le Chapeau de Brigand | 1839, exhibited 1839 | Oil paint on canvas | 1839 | 1847 | 792 | 578 | http://www.tate.org.uk/art/artworks/uwins-le-chapeau-de-brigand-n00388 |
| 7734 | N00391 | Jones, George | 300 | Battle of Borodino | exhibited 1829 | Oil paint on canvas | 1829 | 1847 | 1219 | 2134 | http://www.tate.org.uk/art/artworks/jones-battle-of-borodino-n00391 |
| 10470 | N00394 | Mulready, William | 392 | Fair Time (‘Returning from the Ale-House’) | 1809–1839, exhibited 1809, 1840 | Oil paint on canvas | 1809 | 1847 | 787 | 660 | http://www.tate.org.uk/art/artworks/mulready-fair-time-returning-from-the-ale-house-n00394 |
| 10472 | N00396 | Mulready, William | 392 | The Young Brother | 1856–7, exhibited 1857 | Oil paint on canvas | 1856 | 1857 | 775 | 629 | http://www.tate.org.uk/art/artworks/mulready-the-young-brother-n00396 |
| 4074 | N00397 | Eastlake, Sir Charles Lock | 166 | Christ Lamenting over Jerusalem | 1846 | Oil paint on canvas | 1846 | 1847 | 1048 | 1562 | http://www.tate.org.uk/art/artworks/eastlake-christ-lamenting-over-jerusalem-n00397 |
| 4075 | N00398 | Eastlake, Sir Charles Lock | 166 | Haidée, a Greek Girl | 1827, exhibited 1831 | Oil paint on canvas | 1827 | 1847 | 635 | 508 | http://www.tate.org.uk/art/artworks/eastlake-haidee-a-greek-girl-n00398 |
| 4076 | N00399 | Eastlake, Sir Charles Lock | 166 | The Escape of Francesco Novello di Carrara, with his Wife, from the Duke of Milan | exhibited 1850 | Oil paint on canvas | 1850 | 1847 | 1270 | 1016 | http://www.tate.org.uk/art/artworks/eastlake-the-escape-of-francesco-novello-di-carrara-with-his-wife-from-the-duke-of-milan-n00399 |
| 12647 | N00401 | Roberts, David | 454 | Chancel of the Collegiate Church of St Paul, at Antwerp | 1848, exhibited 1848 | Oil paint on canvas | 1848 | 1847 | 1419 | 1118 | http://www.tate.org.uk/art/artworks/roberts-chancel-of-the-collegiate-church-of-st-paul-at-antwerp-n00401 |
| 8610 | N00402 | Leslie, Charles Robert | 346 | Sancho Panza in the Apartment of the Duchess | 1843–4, exhibited 1844 | Oil paint on canvas | 1843 | 1847 | 1219 | 1524 | http://www.tate.org.uk/art/artworks/leslie-sancho-panza-in-the-apartment-of-the-duchess-n00402 |
| 8611 | N00403 | Leslie, Charles Robert | 346 | A Scene from Tristram Shandy (‘Uncle Toby and the Widow Wadman’) | 1829–30, exhibited 1831 | Oil paint on canvas | 1829 | 1847 | 813 | 559 | http://www.tate.org.uk/art/artworks/leslie-a-scene-from-tristram-shandy-uncle-toby-and-the-widow-wadman-n00403 |
| 13752 | N00407 | Stanfield, Clarkson Frederick | 518 | The Canal of the Guidecca, and the Church of the Gesuati, Venice | 1836, exhibited 1837 | Oil paint on canvas | 1836 | 1847 | 610 | 902 | http://www.tate.org.uk/art/artworks/stanfield-the-canal-of-the-guidecca-and-the-church-of-the-gesuati-venice-n00407 |
| 8337 | N00408 | Landseer, Charles | 322 | Clarissa Harlowe in the Prison Room of the Sheriff’s Office | exhibited 1833 | Oil paint on canvas | 1833 | 1847 | 610 | 508 | http://www.tate.org.uk/art/artworks/landseer-clarissa-harlowe-in-the-prison-room-of-the-sheriffs-office-n00408 |
| 8343 | N00409 | Landseer, Sir Edwin Henry | 323 | King Charles Spaniels (‘The Cavalier’s Pets’) | 1845, exhibited 1845 | Oil paint on canvas | 1845 | 1847 | 698 | 902 | http://www.tate.org.uk/art/artworks/landseer-king-charles-spaniels-the-cavaliers-pets-n00409 |
| 8346 | N00415 | Landseer, Sir Edwin Henry | 323 | A Dialogue at Waterloo | exhibited 1850 | Oil paint on canvas | 1850 | 1847 | 1937 | 3880 | http://www.tate.org.uk/art/artworks/landseer-a-dialogue-at-waterloo-n00415 |
| 11886 | N00416 | Pickersgill, Henry William | 425 | Robert Vernon | 1846, exhibited 1847 | Oil paint on canvas | 1846 | 1847 | 1422 | 1118 | http://www.tate.org.uk/art/artworks/pickersgill-robert-vernon-n00416 |
| 11887 | N00417 | Pickersgill, Henry William | 425 | A Syrian Maid | exhibited 1837 | Oil paint on canvas | 1837 | 1847 | 914 | 714 | http://www.tate.org.uk/art/artworks/pickersgill-a-syrian-maid-n00417 |
| 8513 | N00418 | Lee, Frederick Richard | 339 | Cover Side (figures and animals by Sir E. Landseer) | 1839, ?exhibited 1840 | Oil paint on canvas | 1839 | 1847 | 489 | 406 | http://www.tate.org.uk/art/artworks/lee-landseer-cover-side-figures-and-animals-by-sir-e-landseer-n00418 |
| 8509 | N00419 | Lee, Frederick Richard | 339 | Sea Coast, Sunrise | 1834, exhibited 1834 | Oil paint on canvas | 1834 | 1847 | 857 | 1092 | http://www.tate.org.uk/art/artworks/lee-sea-coast-sunrise-n00419 |
| 16396 | N00420 | Witherington, William Frederick | 608 | Stepping Stones on the Machno, North Wales - Study from Nature | exhibited 1844 | Oil paint on canvas | 1844 | 1847 | 635 | 762 | http://www.tate.org.uk/art/artworks/witherington-stepping-stones-on-the-machno-north-wales-study-from-nature-n00420 |
| 9135 | N00422 | Maclise, Daniel | 365 | The Play Scene in ‘Hamlet’ | exhibited 1842 | Oil paint on canvas | 1842 | 1847 | 1524 | 2743 | http://www.tate.org.uk/art/artworks/maclise-the-play-scene-in-hamlet-n00422 |
| 9136 | N00423 | Maclise, Daniel | 365 | Scene from ‘Twelfth Night’ (‘Malvolio and the Countess’) | exhibited 1840 | Oil paint on canvas | 1840 | 1847 | 737 | 1245 | http://www.tate.org.uk/art/artworks/maclise-scene-from-twelfth-night-malvolio-and-the-countess-n00423 |
| 5846 | N00424 | Hart, Solomon Alexander | 240 | Interior of a Polish Synagogue at the Moment when the Manuscript of the Law is Elevated | 1829–30, exhibited 1830 | Oil paint on canvas | 1829 | 1847 | 813 | 673 | http://www.tate.org.uk/art/artworks/hart-interior-of-a-polish-synagogue-at-the-moment-when-the-manuscript-of-the-law-is-n00424 |
| 6088 | N00425 | Herbert, John Rogers | 251 | Sir Thomas More and his Daughter | 1844, exhibited 1844 | Oil paint on canvas | 1844 | 1847 | 851 | 1105 | http://www.tate.org.uk/art/artworks/herbert-sir-thomas-more-and-his-daughter-n00425 |
| 15915 | N00430 | Ward, Edward Matthew | 580 | Doctor Johnson in the Ante-Room of the Lord Chesterfield Waiting for an Audience, 1748 | 1845, exhibited 1848 | Oil paint on canvas | 1845 | 1847 | 1060 | 1394 | http://www.tate.org.uk/art/artworks/ward-doctor-johnson-in-the-ante-room-of-the-lord-chesterfield-waiting-for-an-audience-1748-n00430 |
| 15916 | N00431 | Ward, Edward Matthew | 580 | The Disgrace of Lord Clarendon, after his Last Interview with the King - Scene at Whitehall Palace, in 1667 (replica) | 1846 | Oil paint on canvas | 1846 | 1847 | 533 | 737 | http://www.tate.org.uk/art/artworks/ward-the-disgrace-of-lord-clarendon-after-his-last-interview-with-the-king-scene-at-n00431 |
| 15917 | N00432 | Ward, Edward Matthew | 580 | The South Sea Bubble, a Scene in ‘Change Alley in 1720 | 1847, exhibited 1847 | Oil paint on canvas | 1847 | 1847 | 1295 | 1880 | http://www.tate.org.uk/art/artworks/ward-the-south-sea-bubble-a-scene-in-change-alley-in-1720-n00432 |
| 16213 | N00433 | Williams, Penry | 604 | Italian Girl with Tambourine | 1837 | Oil paint on canvas | 1837 | 1847 | 508 | 406 | http://www.tate.org.uk/art/artworks/williams-italian-girl-with-tambourine-n00433 |
| 16214 | N00434 | Williams, Penry | 604 | Pilgrims Reposing at a Cross | ?exhibited 1835 | Oil paint on canvas | 1835 | 1847 | 508 | 406 | http://www.tate.org.uk/art/artworks/williams-pilgrims-reposing-at-a-cross-n00434 |
| 2782 | N00435 | Cooper, Thomas Sidney | 112 | Milking Time - Study of a Farm-Yard near Canterbury | 1833–4, exhibited 1834 | Oil paint on canvas | 1833 | 1847 | 965 | 1333 | http://www.tate.org.uk/art/artworks/cooper-milking-time-study-of-a-farm-yard-near-canterbury-n00435 |
| 2783 | N00436 | Cooper, Thomas Sidney | 112 | Among the Cumberland Mountains - Mist Clearing Off | 1847, exhibited 1847 | Oil paint on canvas | 1847 | 1847 | 597 | 889 | http://www.tate.org.uk/art/artworks/cooper-among-the-cumberland-mountains-mist-clearing-off-n00436 |
| 8859 | N00439 | Linnell, John | 351 | Landscape(‘The Windmill’) | 1844–5, exhibited 1845 | Oil paint on canvas | 1844 | 1847 | 381 | 457 | http://www.tate.org.uk/art/artworks/linnell-landscapethe-windmill-n00439 |
| 8287 | N00443 | Lance, George | 321 | Fruit (‘The Summer Gift’) | 1848, exhibited 1848 | Oil paint on canvas | 1848 | 1847 | 711 | 914 | http://www.tate.org.uk/art/artworks/lance-fruit-the-summer-gift-n00443 |
| 4089 | N00444 | Egg, Augustus Leopold | 169 | Scene from ‘The Devil upon Two Sticks’ | 1844, exhibited 1844 | Oil paint on canvas | 1844 | 1847 | 864 | 1118 | http://www.tate.org.uk/art/artworks/egg-scene-from-the-devil-upon-two-sticks-n00444 |
| 11885 | N00445 | Pickersgill, Frederick Richard | 424 | Amoret, Aemylia and Prince Arthur, in the Cottage of Sclaunder | exhibited 1845 | Oil paint on canvas | 1845 | 1847 | 591 | 889 | http://www.tate.org.uk/art/artworks/pickersgill-amoret-aemylia-and-prince-arthur-in-the-cottage-of-sclaunder-n00445 |
| 2772 | N00448 | Cooke, Edward William | 110 | Undercliff Cave, Isle of Wight | exhibited 1836 | Oil paint on canvas | 1836 | 1847 | 419 | 521 | http://www.tate.org.uk/art/artworks/cooke-undercliff-cave-isle-of-wight-n00448 |
| 5502 | N00450 | Goodall, Frederick | 214 | The Village Holiday | 1847, exhibited 1847 | Oil paint on canvas | 1847 | 1847 | 1067 | 1725 | http://www.tate.org.uk/art/artworks/goodall-the-village-holiday-n00450 |
| 5503 | N00451 | Goodall, Frederick | 214 | The Tired Soldier Resting at a Roadside Well | 1842, exhibited 1842 | Oil paint on canvas | 1842 | 1847 | 698 | 914 | http://www.tate.org.uk/art/artworks/goodall-the-tired-soldier-resting-at-a-roadside-well-n00451 |
| 6191 | N00452 | Herring, John Frederick | 252 | The Frugal Meal | exhibited 1847 | Oil paint on canvas | 1847 | 1847 | 546 | 749 | http://www.tate.org.uk/art/artworks/herring-the-frugal-meal-n00452 |
| 4529 | N00453 | Fraser, Alexander | 193 | Interior of a Cottage in the Hebrides | ?c.1835 | Oil paint on canvas | 1835 | 1847 | 698 | 889 | http://www.tate.org.uk/art/artworks/fraser-interior-of-a-cottage-in-the-hebrides-n00453 |
| 12612 | N00455 | Rippingille, Edward Villiers | 451 | Capuchin Friar | c.1833 | Oil paint on canvas | 1833 | 1847 | 686 | 584 | http://www.tate.org.uk/art/artworks/rippingille-capuchin-friar-n00455 |
| 14720 | N00458 | Turner, Joseph Mallord William | 558 | Self-Portrait | c.1799 | Oil paint on canvas | 1799 | 1856 | 743 | 584 | http://www.tate.org.uk/art/artworks/turner-self-portrait-n00458 |
| 14722 | N00460 | Turner, Joseph Mallord William | 558 | Buttermere Lake, with Part of Cromackwater, Cumberland, a Shower | exhibited 1798 | Oil paint on canvas | 1798 | 1856 | 889 | 1194 | http://www.tate.org.uk/art/artworks/turner-buttermere-lake-with-part-of-cromackwater-cumberland-a-shower-n00460 |
| 14723 | N00461 | Turner, Joseph Mallord William | 558 | Morning amongst the Coniston Fells, Cumberland | exhibited 1798 | Oil paint on canvas | 1798 | 1856 | 1229 | 899 | http://www.tate.org.uk/art/artworks/turner-morning-amongst-the-coniston-fells-cumberland-n00461 |
| 14724 | N00462 | Turner, Joseph Mallord William | 558 | Union of the Thames and Isis (‘Dorchester Mead, Oxfordshire’) | exhibited 1808 | Oil paint on canvas | 1808 | 1856 | 908 | 1213 | http://www.tate.org.uk/art/artworks/turner-union-of-the-thames-and-isis-dorchester-mead-oxfordshire-n00462 |
| 14725 | N00463 | Turner, Joseph Mallord William | 558 | Aeneas and the Sibyl, Lake Avernus | c.1798 | Oil paint on canvas | 1798 | 1856 | 765 | 984 | http://www.tate.org.uk/art/artworks/turner-aeneas-and-the-sibyl-lake-avernus-n00463 |
| 14726 | N00464 | Turner, Joseph Mallord William | 558 | A Subject from the Runic Superstitions ... | exhibited 1808 | Oil paint on canvas | 1808 | 1856 | 921 | 1219 | http://www.tate.org.uk/art/artworks/turner-a-subject-from-the-runic-superstitions-n00464 |
| 14727 | N00465 | Turner, Joseph Mallord William | 558 | Mountain Scene with Castle, Probably Martigny | c.1802–3 | Oil paint on canvas | 1802 | 1856 | 438 | 540 | http://www.tate.org.uk/art/artworks/turner-mountain-scene-with-castle-probably-martigny-n00465 |
| 14728 | N00466 | Turner, Joseph Mallord William | 558 | View in Wales: Mountain Scene with Village and Castle - Evening | c.1799–1800 | Oil paint on canvas | 1799 | 1856 | 581 | 727 | http://www.tate.org.uk/art/artworks/turner-view-in-wales-mountain-scene-with-village-and-castle-evening-n00466 |
| 14729 | N00467 | Turner, Joseph Mallord William | 558 | Sketch of a Bank, with Gipsies | ? exhibited 1809 | Oil paint on canvas | 1809 | 1856 | 613 | 838 | http://www.tate.org.uk/art/artworks/turner-sketch-of-a-bank-with-gipsies-n00467 |
| 14732 | N00470 | Turner, Joseph Mallord William | 558 | The Tenth Plague of Egypt | exhibited 1802 | Oil paint on canvas | 1802 | 1856 | 1435 | 2362 | http://www.tate.org.uk/art/artworks/turner-the-tenth-plague-of-egypt-n00470 |
| 14733 | N00471 | Turner, Joseph Mallord William | 558 | Jason | exhibited 1802 | Oil paint on canvas | 1802 | 1856 | 902 | 1197 | http://www.tate.org.uk/art/artworks/turner-jason-n00471 |
| 14734 | N00473 | Turner, Joseph Mallord William | 558 | Holy Family | exhibited 1803 | Oil paint on canvas | 1803 | 1856 | 1022 | 1416 | http://www.tate.org.uk/art/artworks/turner-holy-family-n00473 |
| 14735 | N00474 | Turner, Joseph Mallord William | 558 | The Destruction of Sodom | ? exhibited 1805 | Oil paint on canvas | 1805 | 1856 | 1460 | 2375 | http://www.tate.org.uk/art/artworks/turner-the-destruction-of-sodom-n00474 |
| 14736 | N00475 | Turner, Joseph Mallord William | 558 | View of a Town | c.1798 | Oil paint on canvas | 1798 | 1856 | 241 | 324 | http://www.tate.org.uk/art/artworks/turner-view-of-a-town-n00475 |
| 14737 | N00476 | Turner, Joseph Mallord William | 558 | The Shipwreck | exhibited 1805 | Oil paint on canvas | 1805 | 1856 | 1705 | 2416 | http://www.tate.org.uk/art/artworks/turner-the-shipwreck-n00476 |
| 14738 | N00477 | Turner, Joseph Mallord William | 558 | The Goddess of Discord Choosing the Apple of Contention in the Garden of the Hesperides | exhibited 1806 | Oil paint on canvas | 1806 | 1856 | 1553 | 2184 | http://www.tate.org.uk/art/artworks/turner-the-goddess-of-discord-choosing-the-apple-of-contention-in-the-garden-of-the-n00477 |
| 14740 | N00480 | Turner, Joseph Mallord William | 558 | The Battle of Trafalgar, as Seen from the Mizen Starboard Shrouds of the Victory | 1806–8 | Oil paint on canvas | 1806 | 1856 | 1708 | 2388 | http://www.tate.org.uk/art/artworks/turner-the-battle-of-trafalgar-as-seen-from-the-mizen-starboard-shrouds-of-the-victory-n00480 |
| 14741 | N00481 | Turner, Joseph Mallord William | 558 | Spithead: Two Captured Danish Ships Entering Portsmouth Harbour | 1807–9 | Oil paint on canvas | 1807 | 1856 | 1714 | 2337 | http://www.tate.org.uk/art/artworks/turner-spithead-two-captured-danish-ships-entering-portsmouth-harbour-n00481 |
| 14743 | N00483 | Turner, Joseph Mallord William | 558 | London from Greenwich Park | exhibited 1809 | Oil paint on canvas | 1809 | 1856 | 902 | 1200 | http://www.tate.org.uk/art/artworks/turner-london-from-greenwich-park-n00483 |
| 14744 | N00484 | Turner, Joseph Mallord William | 558 | St Mawes at the Pilchard Season | exhibited 1812 | Oil paint on canvas | 1812 | 1856 | 911 | 1206 | http://www.tate.org.uk/art/artworks/turner-st-mawes-at-the-pilchard-season-n00484 |
| 14745 | N00485 | Turner, Joseph Mallord William | 558 | Abingdon | exhibited 1806? | Oil paint on canvas | 1806 | 1856 | 1016 | 1302 | http://www.tate.org.uk/art/artworks/turner-abingdon-n00485 |
| 14746 | N00486 | Turner, Joseph Mallord William | 558 | Ploughing Up Turnips, near Slough (‘Windsor’) | exhibited 1809 | Oil paint on canvas | 1809 | 1856 | 1019 | 1302 | http://www.tate.org.uk/art/artworks/turner-ploughing-up-turnips-near-slough-windsor-n00486 |
| 14748 | N00488 | Turner, Joseph Mallord William | 558 | Apollo and Python | exhibited 1811 | Oil paint on canvas | 1811 | 1856 | 1454 | 2375 | http://www.tate.org.uk/art/artworks/turner-apollo-and-python-n00488 |
| 14749 | N00489 | Turner, Joseph Mallord William | 558 | The Fall of an Avalanche in the Grisons | exhibited 1810 | Oil paint on canvas | 1810 | 1856 | 902 | 1200 | http://www.tate.org.uk/art/artworks/turner-the-fall-of-an-avalanche-in-the-grisons-n00489 |
| 14750 | N00490 | Turner, Joseph Mallord William | 558 | Snow Storm: Hannibal and his Army Crossing the Alps | exhibited 1812 | Oil paint on canvas | 1812 | 1856 | 1460 | 2375 | http://www.tate.org.uk/art/artworks/turner-snow-storm-hannibal-and-his-army-crossing-the-alps-n00490 |
| 14751 | N00491 | Turner, Joseph Mallord William | 558 | Harvest Dinner, Kingston Bank | exhibited 1809 | Oil paint on canvas | 1809 | 1856 | 902 | 1210 | http://www.tate.org.uk/art/artworks/turner-harvest-dinner-kingston-bank-n00491 |
| 14752 | N00492 | Turner, Joseph Mallord William | 558 | Frosty Morning | exhibited 1813 | Oil paint on canvas | 1813 | 1856 | 1137 | 1746 | http://www.tate.org.uk/art/artworks/turner-frosty-morning-n00492 |
| 14753 | N00493 | Turner, Joseph Mallord William | 558 | The Deluge | ?exhibited 1805 | Oil paint on canvas | 1805 | 1856 | 1429 | 2356 | http://www.tate.org.uk/art/artworks/turner-the-deluge-n00493 |
| 14754 | N00494 | Turner, Joseph Mallord William | 558 | Dido and Aeneas | exhibited 1814 | Oil paint on canvas | 1814 | 1856 | 1460 | 2372 | http://www.tate.org.uk/art/artworks/turner-dido-and-aeneas-n00494 |
| 14755 | N00495 | Turner, Joseph Mallord William | 558 | Apullia in Search of Appullus | exhibited 1814 | Oil paint on canvas | 1814 | 1856 | 1485 | 2410 | http://www.tate.org.uk/art/artworks/turner-apullia-in-search-of-appullus-n00495 |
| 14756 | N00496 | Turner, Joseph Mallord William | 558 | Fishing upon the Blythe-Sand, Tide Setting In | exhibited 1809 | Oil paint on canvas | 1809 | 1856 | 889 | 1194 | http://www.tate.org.uk/art/artworks/turner-fishing-upon-the-blythe-sand-tide-setting-in-n00496 |
| 14757 | N00497 | Turner, Joseph Mallord William | 558 | Crossing the Brook | exhibited 1815 | Oil paint on canvas | 1815 | 1856 | 1930 | 1651 | http://www.tate.org.uk/art/artworks/turner-crossing-the-brook-n00497 |
| 14758 | N00499 | Turner, Joseph Mallord William | 558 | The Decline of the Carthaginian Empire ... | exhibited 1817 | Oil paint on canvas | 1817 | 1856 | 1702 | 2388 | http://www.tate.org.uk/art/artworks/turner-the-decline-of-the-carthaginian-empire-n00499 |
| 14759 | N00500 | Turner, Joseph Mallord William | 558 | The Field of Waterloo | exhibited 1818 | Oil paint on canvas | 1818 | 1856 | 1473 | 2388 | http://www.tate.org.uk/art/artworks/turner-the-field-of-waterloo-n00500 |
| 14760 | N00501 | Turner, Joseph Mallord William | 558 | Entrance of the Meuse: Orange-Merchant on the Bar, Going to Pieces; Brill Church bearing S. E. by S., Masensluys E. by S. | exhibited 1819 | Oil paint on canvas | 1819 | 1856 | 1753 | 2464 | http://www.tate.org.uk/art/artworks/turner-entrance-of-the-meuse-orange-merchant-on-the-bar-going-to-pieces-brill-church-n00501 |
| 14761 | N00502 | Turner, Joseph Mallord William | 558 | England: Richmond Hill, on the Prince Regent’s Birthday | exhibited 1819 | Oil paint on canvas | 1819 | 1856 | 1800 | 3346 | http://www.tate.org.uk/art/artworks/turner-england-richmond-hill-on-the-prince-regents-birthday-n00502 |
| 14762 | N00503 | Turner, Joseph Mallord William | 558 | Rome, from the Vatican. Raffaelle, Accompanied by La Fornarina, Preparing his Pictures for the Decoration of the Loggia | exhibited 1820 | Oil paint on canvas | 1820 | 1856 | 1772 | 3353 | http://www.tate.org.uk/art/artworks/turner-rome-from-the-vatican-raffaelle-accompanied-by-la-fornarina-preparing-his-pictures-n00503 |
| 14763 | N00504 | Turner, Joseph Mallord William | 558 | Forum Romanum, for Mr Soane’s Museum | exhibited 1826 | Oil paint on canvas | 1826 | 1856 | 1457 | 2363 | http://www.tate.org.uk/art/artworks/turner-forum-romanum-for-mr-soanes-museum-n00504 |
| 14764 | N00505 | Turner, Joseph Mallord William | 558 | The Bay of Baiae, with Apollo and the Sibyl | exhibited 1823 | Oil paint on canvas | 1823 | 1856 | 1454 | 2375 | http://www.tate.org.uk/art/artworks/turner-the-bay-of-baiae-with-apollo-and-the-sibyl-n00505 |
| 14766 | N00507 | Turner, Joseph Mallord William | 558 | Boccaccio Relating the Tale of the Bird-Cage | exhibited 1828 | Oil paint on canvas | 1828 | 1856 | 1219 | 899 | http://www.tate.org.uk/art/artworks/turner-boccaccio-relating-the-tale-of-the-bird-cage-n00507 |
| 14767 | N00509 | Turner, Joseph Mallord William | 558 | The Loretto Necklace | 1829 | Oil paint on canvas | 1829 | 1856 | 1308 | 1749 | http://www.tate.org.uk/art/artworks/turner-the-loretto-necklace-n00509 |
| 14768 | N00510 | Turner, Joseph Mallord William | 558 | Pilate Washing his Hands | exhibited 1830 | Oil paint on canvas | 1830 | 1856 | 914 | 1219 | http://www.tate.org.uk/art/artworks/turner-pilate-washing-his-hands-n00510 |
| 14769 | N00511 | Turner, Joseph Mallord William | 558 | View of Orvieto, Painted in Rome | 1828, reworked 1830 | Oil paint on canvas | 1828 | 1856 | 914 | 1232 | http://www.tate.org.uk/art/artworks/turner-view-of-orvieto-painted-in-rome-n00511 |
| 14770 | N00512 | Turner, Joseph Mallord William | 558 | Caligula’s Palace and Bridge | exhibited 1831 | Oil paint on canvas | 1831 | 1856 | 1372 | 2464 | http://www.tate.org.uk/art/artworks/turner-caligulas-palace-and-bridge-n00512 |
| 14771 | N00513 | Turner, Joseph Mallord William | 558 | Vision of Medea | 1828 | Oil paint on canvas | 1828 | 1856 | 1737 | 2489 | http://www.tate.org.uk/art/artworks/turner-vision-of-medea-n00513 |
| 14774 | N00516 | Turner, Joseph Mallord William | 558 | Childe Harold’s Pilgrimage - Italy | exhibited 1832 | Oil paint on canvas | 1832 | 1856 | 1422 | 2483 | http://www.tate.org.uk/art/artworks/turner-childe-harolds-pilgrimage-italy-n00516 |
| 14776 | N00518 | Turner, Joseph Mallord William | 558 | Heidelberg | c.1844–5 | Oil paint on canvas | 1844 | 1856 | 1321 | 2019 | http://www.tate.org.uk/art/artworks/turner-heidelberg-n00518 |
| 14777 | N00519 | Turner, Joseph Mallord William | 558 | Regulus | 1828, reworked 1837 | Oil paint on canvas | 1828 | 1856 | 895 | 1238 | http://www.tate.org.uk/art/artworks/turner-regulus-n00519 |
| 14779 | N00522 | Turner, Joseph Mallord William | 558 | Phryne Going to the Public Baths as Venus: Demosthenes Taunted by Aeschines | exhibited 1838 | Oil paint on canvas | 1838 | 1856 | 1930 | 1651 | http://www.tate.org.uk/art/artworks/turner-phryne-going-to-the-public-baths-as-venus-demosthenes-taunted-by-aeschines-n00522 |
| 14780 | N00523 | Turner, Joseph Mallord William | 558 | Ancient Rome; Agrippina Landing with the Ashes of Germanicus | exhibited 1839 | Oil paint on canvas | 1839 | 1856 | 914 | 1219 | http://www.tate.org.uk/art/artworks/turner-ancient-rome-agrippina-landing-with-the-ashes-of-germanicus-n00523 |
| 14781 | N00525 | Turner, Joseph Mallord William | 558 | Bacchus and Ariadne | exhibited 1840 | Oil paint on canvas | 1840 | 1856 | 787 | 787 | http://www.tate.org.uk/art/artworks/turner-bacchus-and-ariadne-n00525 |
| 14783 | N00527 | Turner, Joseph Mallord William | 558 | Venice, the Bridge of Sighs | exhibited 1840 | Oil paint on canvas | 1840 | 1856 | 686 | 914 | http://www.tate.org.uk/art/artworks/turner-venice-the-bridge-of-sighs-n00527 |
| 14784 | N00528 | Turner, Joseph Mallord William | 558 | Peace - Burial at Sea | exhibited 1842 | Oil paint on canvas | 1842 | 1856 | 870 | 867 | http://www.tate.org.uk/art/artworks/turner-peace-burial-at-sea-n00528 |
| 14785 | N00529 | Turner, Joseph Mallord William | 558 | War. The Exile and the Rock Limpet | exhibited 1842 | Oil paint on canvas | 1842 | 1856 | 794 | 794 | http://www.tate.org.uk/art/artworks/turner-war-the-exile-and-the-rock-limpet-n00529 |
| 14786 | N00530 | Turner, Joseph Mallord William | 558 | Snow Storm - Steam-Boat off a Harbour’s Mouth | exhibited 1842 | Oil paint on canvas | 1842 | 1856 | 914 | 1219 | http://www.tate.org.uk/art/artworks/turner-snow-storm-steam-boat-off-a-harbours-mouth-n00530 |
| 14787 | N00531 | Turner, Joseph Mallord William | 558 | Shade and Darkness - the Evening of the Deluge | exhibited 1843 | Oil paint on canvas | 1843 | 1856 | 787 | 781 | http://www.tate.org.uk/art/artworks/turner-shade-and-darkness-the-evening-of-the-deluge-n00531 |
| 14788 | N00532 | Turner, Joseph Mallord William | 558 | Light and Colour (Goethe’s Theory) - the Morning after the Deluge - Moses Writing the Book of Genesis | exhibited 1843 | Oil paint on canvas | 1843 | 1856 | 787 | 787 | http://www.tate.org.uk/art/artworks/turner-light-and-colour-goethes-theory-the-morning-after-the-deluge-moses-writing-the-book-n00532 |
| 14790 | N00534 | Turner, Joseph Mallord William | 558 | St Benedetto, Looking towards Fusina | exhibited 1843 | Oil paint on canvas | 1843 | 1856 | 622 | 927 | http://www.tate.org.uk/art/artworks/turner-st-benedetto-looking-towards-fusina-n00534 |
| 14791 | N00535 | Turner, Joseph Mallord William | 558 | The Sun of Venice Going to Sea | exhibited 1843 | Oil paint on canvas | 1843 | 1856 | 616 | 921 | http://www.tate.org.uk/art/artworks/turner-the-sun-of-venice-going-to-sea-n00535 |
| 14792 | N00536 | Turner, Joseph Mallord William | 558 | Fishing Boats Bringing a Disabled Ship into Port Ruysdael | exhibited 1844 | Oil paint on canvas | 1844 | 1856 | 914 | 1232 | http://www.tate.org.uk/art/artworks/turner-fishing-boats-bringing-a-disabled-ship-into-port-ruysdael-n00536 |
| 14793 | N00537 | Turner, Joseph Mallord William | 558 | Van Tromp Returning after the Battle off the Dogger Bank | exhibited 1833 | Oil paint on canvas | 1833 | 1856 | 1054 | 1352 | http://www.tate.org.uk/art/artworks/turner-van-tromp-returning-after-the-battle-off-the-dogger-bank-n00537 |
| 14794 | N00539 | Turner, Joseph Mallord William | 558 | Venice - Maria della Salute | exhibited 1844 | Oil paint on canvas | 1844 | 1856 | 613 | 921 | http://www.tate.org.uk/art/artworks/turner-venice-maria-della-salute-n00539 |
| 14795 | N00540 | Turner, Joseph Mallord William | 558 | Venice Quay, Ducal Palace | exhibited 1844 | Oil paint on canvas | 1844 | 1856 | 622 | 927 | http://www.tate.org.uk/art/artworks/turner-venice-quay-ducal-palace-n00540 |
| 14796 | N00541 | Turner, Joseph Mallord William | 558 | Venice - Noon | exhibited 1845 | Oil paint on canvas | 1845 | 1856 | 610 | 918 | http://www.tate.org.uk/art/artworks/turner-venice-noon-n00541 |
| 14797 | N00542 | Turner, Joseph Mallord William | 558 | Venice - Sunset, a Fisher | exhibited 1845 | Oil paint on canvas | 1845 | 1856 | 613 | 921 | http://www.tate.org.uk/art/artworks/turner-venice-sunset-a-fisher-n00542 |
| 14798 | N00543 | Turner, Joseph Mallord William | 558 | Returning from the Ball (St Martha) | exhibited 1846 | Oil paint on canvas | 1846 | 1856 | 616 | 924 | http://www.tate.org.uk/art/artworks/turner-returning-from-the-ball-st-martha-n00543 |
| 14799 | N00544 | Turner, Joseph Mallord William | 558 | Going to the Ball (San Martino) | exhibited 1846 | Oil paint on canvas | 1846 | 1856 | 616 | 924 | http://www.tate.org.uk/art/artworks/turner-going-to-the-ball-san-martino-n00544 |
| 14800 | N00545 | Turner, Joseph Mallord William | 558 | Whalers | exhibited 1845 | Oil paint on canvas | 1845 | 1856 | 911 | 1219 | http://www.tate.org.uk/art/artworks/turner-whalers-n00545 |
| 14801 | N00546 | Turner, Joseph Mallord William | 558 | ‘Hurrah! for the Whaler Erebus! Another Fish!’ | exhibited 1846 | Oil paint on canvas | 1846 | 1856 | 902 | 1206 | http://www.tate.org.uk/art/artworks/turner-hurrah-for-the-whaler-erebus-another-fish-n00546 |
| 14802 | N00547 | Turner, Joseph Mallord William | 558 | Whalers (Boiling Blubber) Entangled in Flaw Ice, Endeavouring to Extricate Themselves | exhibited 1846 | Oil paint on canvas | 1846 | 1856 | 899 | 1200 | http://www.tate.org.uk/art/artworks/turner-whalers-boiling-blubber-entangled-in-flaw-ice-endeavouring-to-extricate-themselves-n00547 |
| 14803 | N00548 | Turner, Joseph Mallord William | 558 | Queen Mab’s Cave | exhibited 1846 | Oil paint on canvas | 1846 | 1856 | 921 | 1226 | http://www.tate.org.uk/art/artworks/turner-queen-mabs-cave-n00548 |
| 14804 | N00549 | Turner, Joseph Mallord William | 558 | Undine Giving the Ring to Massaniello, Fisherman of Naples | exhibited 1846 | Oil paint on canvas | 1846 | 1856 | 791 | 791 | http://www.tate.org.uk/art/artworks/turner-undine-giving-the-ring-to-massaniello-fisherman-of-naples-n00549 |
| 14805 | N00550 | Turner, Joseph Mallord William | 558 | The Angel Standing in the Sun | exhibited 1846 | Oil paint on canvas | 1846 | 1856 | 787 | 787 | http://www.tate.org.uk/art/artworks/turner-the-angel-standing-in-the-sun-n00550 |
| 14806 | N00551 | Turner, Joseph Mallord William | 558 | The Hero of a Hundred Fights | c.1800–10, reworked and exhibited 1847 | Oil paint on canvas | 1800 | 1856 | 908 | 1213 | http://www.tate.org.uk/art/artworks/turner-the-hero-of-a-hundred-fights-n00551 |
| 14807 | N00553 | Turner, Joseph Mallord William | 558 | Mercury Sent to Admonish Aeneas | exhibited 1850 | Oil paint on canvas | 1850 | 1856 | 902 | 1206 | http://www.tate.org.uk/art/artworks/turner-mercury-sent-to-admonish-aeneas-n00553 |
| 14808 | N00554 | Turner, Joseph Mallord William | 558 | The Departure of the Fleet | exhibited 1850 | Oil paint on canvas | 1850 | 1856 | 899 | 1203 | http://www.tate.org.uk/art/artworks/turner-the-departure-of-the-fleet-n00554 |
| 14809 | N00555 | Turner, Joseph Mallord William | 558 | The Visit to the Tomb | exhibited 1850 | Oil paint on canvas | 1850 | 1856 | 914 | 1219 | http://www.tate.org.uk/art/artworks/turner-the-visit-to-the-tomb-n00555 |
| 14810 | N00556 | Turner, Joseph Mallord William | 558 | Second Sketch for ‘The Battle of Trafalgar’ | c.1823 | Oil paint on canvas | 1823 | 1856 | 902 | 1213 | http://www.tate.org.uk/art/artworks/turner-second-sketch-for-the-battle-of-trafalgar-n00556 |
| 14811 | N00557 | Turner, Joseph Mallord William | 558 | View of Richmond Hill and Bridge | exhibited 1808 | Oil paint on canvas | 1808 | 1856 | 914 | 1219 | http://www.tate.org.uk/art/artworks/turner-view-of-richmond-hill-and-bridge-n00557 |
| 14812 | N00558 | Turner, Joseph Mallord William | 558 | A Disaster at Sea | ?c.1835 | Oil paint on canvas | 1835 | 1856 | 1714 | 2203 | http://www.tate.org.uk/art/artworks/turner-a-disaster-at-sea-n00558 |
| 14813 | N00559 | Turner, Joseph Mallord William | 558 | Petworth Park: Tillington Church in the Distance | c.1828 | Oil paint on canvas | 1828 | 1856 | 600 | 1457 | http://www.tate.org.uk/art/artworks/turner-petworth-park-tillington-church-in-the-distance-n00559 |
| 14814 | N00560 | Turner, Joseph Mallord William | 558 | Chichester Canal | c.1828 | Oil paint on canvas | 1828 | 1856 | 654 | 1346 | http://www.tate.org.uk/art/artworks/turner-chichester-canal-n00560 |
| 13271 | N00563 | Seddon, Thomas | 483 | Jerusalem and the Valley of Jehoshaphat from the Hill of Evil Counsel | 1854–5 | Oil paint on canvas | 1854 | 1857 | 870 | 1030 | http://www.tate.org.uk/art/artworks/seddon-jerusalem-and-the-valley-of-jehoshaphat-from-the-hill-of-evil-counsel-n00563 |
| 1378 | N00601 | Boxall, Sir William | 47 | Geraldine | exhibited 1850 | Oil paint on canvas | 1850 | 1858 | 1156 | 838 | http://www.tate.org.uk/art/artworks/boxall-geraldine-n00601 |
| 8347 | N00603 | Landseer, Sir Edwin Henry | 323 | Sleeping Bloodhound | exhibited 1835 | Oil paint on canvas | 1835 | 1859 | 1016 | 1270 | http://www.tate.org.uk/art/artworks/landseer-sleeping-bloodhound-n00603 |
| 8348 | N00604 | Landseer, Sir Edwin Henry | 323 | Dignity and Impudence | 1839 | Oil paint on canvas | 1839 | 1859 | 889 | 692 | http://www.tate.org.uk/art/artworks/landseer-dignity-and-impudence-n00604 |
| 8349 | N00605 | Landseer, Sir Edwin Henry | 323 | The Defeat of Comus | 1843 | Oil paint on canvas | 1843 | 1859 | 889 | 1689 | http://www.tate.org.uk/art/artworks/landseer-the-defeat-of-comus-n00605 |
| 8350 | N00606 | Landseer, Sir Edwin Henry | 323 | Shoeing | exhibited 1844 | Oil paint on canvas | 1844 | 1859 | 1422 | 1118 | http://www.tate.org.uk/art/artworks/landseer-shoeing-n00606 |
| 8352 | N00608 | Landseer, Sir Edwin Henry | 323 | Alexander and Diogenes | exhibited 1848 | Oil paint on canvas | 1848 | 1859 | 1124 | 1429 | http://www.tate.org.uk/art/artworks/landseer-alexander-and-diogenes-n00608 |
| 8338 | N00610 | Landseer, Charles | 322 | Bloodhound and Pups | exhibited 1839 | Oil paint on canvas | 1839 | 1859 | 718 | 925 | http://www.tate.org.uk/art/artworks/landseer-bloodhound-and-pups-n00610 |
| 8339 | N00611 | Landseer, Charles | 322 | The Pillaging of a Jew’s House in the Reign of Richard I | exhibited 1839 | Oil paint on canvas | 1839 | 1859 | 1537 | 1965 | http://www.tate.org.uk/art/artworks/landseer-the-pillaging-of-a-jews-house-in-the-reign-of-richard-i-n00611 |
| 8340 | N00612 | Landseer, Charles | 322 | The Plundering of Basing House | exhibited 1836 | Oil paint on canvas | 1836 | 1859 | 1003 | 1257 | http://www.tate.org.uk/art/artworks/landseer-the-plundering-of-basing-house-n00612 |
| 8612 | N00613 | Leslie, Charles Robert | 346 | Uncle Toby and the Widow Wadman | 1842 | Oil paint on canvas | 1842 | 1859 | 838 | 584 | http://www.tate.org.uk/art/artworks/leslie-uncle-toby-and-the-widow-wadman-n00613 |
| 4173 | N00614 | Etty, William | 172 | Musidora: The Bather ‘At the Doubtful Breeze Alarmed’, replica | ?exhibited 1846 | Oil paint on canvas | 1846 | 1859 | 651 | 502 | http://www.tate.org.uk/art/artworks/etty-musidora-the-bather-at-the-doubtful-breeze-alarmed-replica-n00614 |
| 4672 | N00615 | Frith, William Powell | 194 | The Derby Day | 1856–8 | Oil paint on canvas | 1856 | 1859 | 1016 | 2235 | http://www.tate.org.uk/art/artworks/frith-the-derby-day-n00615 |
| 15918 | N00616 | Ward, Edward Matthew | 580 | James II in his Palace of Whitehall, Receiving the News of the Landing of the Prince of Orange, in 1688 | exhibited 1850 | Oil paint on canvas | 1850 | 1859 | 1206 | 1822 | http://www.tate.org.uk/art/artworks/ward-james-ii-in-his-palace-of-whitehall-receiving-the-news-of-the-landing-of-the-prince-n00616 |
| 3991 | N00617 | Douglas, Sir William Fettes | 157 | Bibliomania | ?1852 | Oil paint on canvas | 1852 | 1859 | 889 | 1295 | http://www.tate.org.uk/art/artworks/douglas-bibliomania-n00617 |
| 10934 | N00618 | O'Neill, George Bernard | 405 | The Foundling | 1852 | Oil paint on canvas | 1852 | 1859 | 698 | 1194 | http://www.tate.org.uk/art/artworks/oneill-the-foundling-n00618 |
| 8511 | N00619 | Lee, Frederick Richard | 339 | Evening in the Meadows (cattle by Thomas Sidney Cooper) | exhibited 1854 | Oil paint on canvas | 1854 | 1859 | 952 | 1308 | http://www.tate.org.uk/art/artworks/lee-cooper-evening-in-the-meadows-cattle-by-thomas-sidney-cooper-n00619 |
| 8512 | N00620 | Lee, Frederick Richard | 339 | A River Scene (cattle by Thomas Sidney Cooper) | 1855 | Oil paint on canvas | 1855 | 1859 | 1270 | 1835 | http://www.tate.org.uk/art/artworks/lee-cooper-a-river-scene-cattle-by-thomas-sidney-cooper-n00620 |
| 16215 | N00662 | Williams, Penry | 604 | Neapolitan Peasants at a Fountain | 1859 | Oil paint on canvas | 1859 | 1860 | 1067 | 1530 | http://www.tate.org.uk/art/artworks/williams-neapolitan-peasants-at-a-fountain-n00662 |
| 6695 | N00675 | Hone, Nathaniel | 273 | Mary Hone, the Artist’s Wife | ?1760 | Oil paint on canvas | 1760 | 1861 | 289 | 219 | http://www.tate.org.uk/art/artworks/hone-mary-hone-the-artists-wife-n00675 |
| 4895 | N00678 | Gainsborough, Thomas | 199 | Abel Moysey | c.1764 | Oil paint on canvas | 1764 | 1861 | 578 | 457 | http://www.tate.org.uk/art/artworks/gainsborough-abel-moysey-n00678 |
| 5889 | N00682 | Haydon, Benjamin Robert | 243 | Punch or May Day | 1829 | Oil paint on canvas | 1829 | 1862 | 1505 | 1851 | http://www.tate.org.uk/art/artworks/haydon-punch-or-may-day-n00682 |
| 15921 | N00688 | Ward, James | 581 | Landscape with Cattle | 1820–2 | Oil paint on canvas | 1820 | 1862 | 3285 | 4845 | http://www.tate.org.uk/art/artworks/ward-landscape-with-cattle-n00688 |
| 2944 | N00689 | Crome, John | 126 | Mousehold Heath, Norwich | c.1818–20 | Oil paint on canvas | 1818 | 1863 | 1099 | 1810 | http://www.tate.org.uk/art/artworks/crome-mousehold-heath-norwich-n00689 |
| 14162 | N00731 | Thomson, Rev. John, of Duddingston | 549 | Loch-an-Eilean, Rothiemurchus, Inverness-shire | 1835 | Oil paint on canvas | 1835 | 1864 | 857 | 1327 | http://www.tate.org.uk/art/artworks/thomson-loch-an-eilean-rothiemurchus-inverness-shire-n00731 |
| 2787 | N00733 | Copley, John Singleton | 113 | The Death of Major Peirson, 6 January 1781 | 1783 | Oil paint on canvas | 1783 | 1864 | 2515 | 3658 | http://www.tate.org.uk/art/artworks/copley-the-death-of-major-peirson-6-january-1781-n00733 |
| 12396 | N00754 | Reynolds, Sir Joshua | 444 | Mr Huddesford and Mr Bampfylde | c.1778 | Oil paint on canvas | 1778 | 1866 | 1251 | 997 | http://www.tate.org.uk/art/artworks/reynolds-mr-huddesford-and-mr-bampfylde-n00754 |
| 573 | N00759 | Armitage, Edward | 11 | The Remorse of Judas | 1866 | Oil paint on canvas | 1866 | 1866 | 1276 | 2013 | http://www.tate.org.uk/art/artworks/armitage-the-remorse-of-judas-n00759 |
| 1511 | N00760 | Gainsborough, Thomas | 199 | ‘The Parish Clerk’ (Edward Orpin, Parish Clerk of Bradford-upon-Avon) | c.1760–70 | Oil paint on canvas | 1760 | 1876 | 1219 | 978 | http://www.tate.org.uk/art/artworks/gainsborough-the-parish-clerk-edward-orpin-parish-clerk-of-bradford-upon-avon-n00760 |
| 13492 | N00762 | Smirke, Robert | 503 | The Order of Knighthood Conferred on Don Quixote by the Inn Keeper | date not known | Oil paint on canvas | 1867 | 561 | 470 | http://www.tate.org.uk/art/artworks/smirke-the-order-of-knighthood-conferred-on-don-quixote-by-the-inn-keeper-n00762 | |
| 13493 | N00763 | Smirke, Robert | 503 | Don Quixote at Home, after the Termination of his Second Sally | date not known | Oil paint on canvas | 1867 | 464 | 553 | http://www.tate.org.uk/art/artworks/smirke-don-quixote-at-home-after-the-termination-of-his-second-sally-n00763 | |
| 13494 | N00765 | Smirke, Robert | 503 | Scene from Bickerstaffe’s Play ‘The Hypocrite’, Adapted from Colly Cibber’s ‘Non Juror’ | date not known | Oil paint on canvas | 1867 | 511 | 458 | http://www.tate.org.uk/art/artworks/smirke-scene-from-bickerstaffes-play-the-hypocrite-adapted-from-colly-cibbers-non-juror-n00765 | |
| 10940 | N00784 | Opie, John | 406 | William Siddons | date not known | Oil paint on canvas | 1868 | 765 | 635 | http://www.tate.org.uk/art/artworks/opie-william-siddons-n00784 | |
| 8433 | N00785 | Lawrence, Sir Thomas | 334 | Mrs Siddons, ? as Mrs Haller in ‘The Stranger’ | c.1796–8 | Oil paint on canvas | 1796 | 1868 | 762 | 635 | http://www.tate.org.uk/art/artworks/lawrence-mrs-siddons-as-mrs-haller-in-the-stranger-n00785 |
| 5890 | N00786 | Haydon, Benjamin Robert | 243 | The Raising of Lazarus | 1821–3 | Oil paint on canvas | 1821 | 1868 | 4267 | 6325 | http://www.tate.org.uk/art/artworks/haydon-the-raising-of-lazarus-n00786 |
| 2788 | N00787 | Copley, John Singleton | 113 | The Siege and Relief of Gibraltar, 13 September 1782; ?replica | c.1783 | Oil paint on canvas | 1783 | 1868 | 1346 | 1899 | http://www.tate.org.uk/art/artworks/copley-the-siege-and-relief-of-gibraltar-13-september-1782-replica-n00787 |
| 4896 | N00789 | Gainsborough, Thomas | 199 | The Baillie Family | c.1784 | Oil paint on canvas | 1784 | 1868 | 2508 | 2273 | http://www.tate.org.uk/art/artworks/gainsborough-the-baillie-family-n00789 |
| 11888 | N00791 | Pickersgill, Henry William | 425 | The Nun | date not known | Oil paint on canvas | 1868 | 889 | 686 | http://www.tate.org.uk/art/artworks/pickersgill-the-nun-n00791 | |
| 722 | N00792 | Barker, Thomas, of Bath | 19 | The Woodman and his Dog in a Storm | c.1787 | Oil paint on canvas | 1787 | 1868 | 2362 | 1486 | http://www.tate.org.uk/art/artworks/barker-the-woodman-and-his-dog-in-a-storm-n00792 |
| 20745 | N00793 | Martin, John | 371 | The Destruction of Pompei and Herculaneum | 1822, restored 2011 | Oil paint on canvas | 1822 | 1869 | 1616 | 2530 | http://www.tate.org.uk/art/artworks/martin-the-destruction-of-pompei-and-herculaneum-n00793 |
| 2958 | N00795 | Cruikshank, George | 127 | The Worship of Bacchus | 1860–2 | Oil paint on canvas | 1860 | 1869 | 2360 | 4060 | http://www.tate.org.uk/art/artworks/cruikshank-the-worship-of-bacchus-n00795 |
| 16099 | N00799 | West, Benjamin | 594 | Mrs Worrell as Hebe | c.1775–8 | Oil paint on canvas | 1775 | 1869 | 1270 | 1003 | http://www.tate.org.uk/art/artworks/west-mrs-worrell-as-hebe-n00799 |
| 7736 | N00800 | Jones, George | 300 | Lucknow: Evening. The Sufferers Besieged at Lucknow, Rescued by General Lord Clyde; November | exhibited 1869 | Oil paint on canvas | 1869 | 1869 | 1092 | 2083 | http://www.tate.org.uk/art/artworks/jones-lucknow-evening-the-sufferers-besieged-at-lucknow-rescued-by-general-lord-clyde-n00800 |
| 7737 | N00801 | Jones, George | 300 | Cawnpore, the Passage of the Ganges at Cawnpore on the 29th and 30th November 1857 | exhibited 1869 | Oil paint on canvas | 1869 | 1869 | 1092 | 2083 | http://www.tate.org.uk/art/artworks/jones-cawnpore-the-passage-of-the-ganges-at-cawnpore-on-the-29th-and-30th-november-1857-n00801 |
| 1912 | N00813 | Callcott, Sir Augustus Wall | 78 | Sheerness and the Isle of Sheppey (after J.M.W. Turner) | c.1807–8 | Oil paint on canvas | 1807 | 1870 | 698 | 895 | http://www.tate.org.uk/art/artworks/callcott-sheerness-and-the-isle-of-sheppey-after-jmw-turner-n00813 |
| 12397 | N00885 | Reynolds, Sir Joshua | 444 | A Nymph and Cupid: ‘The Snake in the Grass’ | exhibited 1784 | Oil paint on canvas | 1784 | 1871 | 1245 | 991 | http://www.tate.org.uk/art/artworks/reynolds-a-nymph-and-cupid-the-snake-in-the-grass-n00885 |
| 12398 | N00886 | Reynolds, Sir Joshua | 444 | Admiral Viscount Keppel | 1780 | Oil paint on canvas | 1780 | 1871 | 1245 | 991 | http://www.tate.org.uk/art/artworks/reynolds-admiral-viscount-keppel-n00886 |
| 12399 | N00887 | Reynolds, Sir Joshua | 444 | Doctor Samuel Johnson | ?1772 | Oil paint on canvas | 1772 | 1871 | 756 | 622 | http://www.tate.org.uk/art/artworks/reynolds-doctor-samuel-johnson-n00887 |
| 12400 | N00889 | Reynolds, Sir Joshua | 444 | Self-Portrait when Young | 1753–8 | Oil paint on canvas | 1753 | 1871 | 737 | 616 | http://www.tate.org.uk/art/artworks/reynolds-self-portrait-when-young-n00889 |
| 12423 | N00891 | Reynolds, Sir Joshua | 444 | Mrs Fox | c.1780 | Oil paint on canvas | 1780 | 1871 | 749 | 622 | http://www.tate.org.uk/art/artworks/reynolds-mrs-fox-n00891 |
| 12402 | N00892 | Reynolds, Sir Joshua | 444 | Robinetta | c.1786 | Oil paint on canvas | 1786 | 1871 | 749 | 622 | http://www.tate.org.uk/art/artworks/reynolds-robinetta-n00892 |
| 8434 | N00893 | Lawrence, Sir Thomas | 334 | Princess Lieven | ?1812–20 | Oil paint on canvas | 1812 | 1871 | 460 | 384 | http://www.tate.org.uk/art/artworks/lawrence-princess-lieven-n00893 |
| 2945 | N00897 | Crome, John | 126 | A View of Chapel-Fields, Norwich | date not known | Oil paint on canvas | 1872 | 737 | 1041 | http://www.tate.org.uk/art/artworks/crome-a-view-of-chapel-fields-norwich-n00897 | |
| 4077 | N00898 | Eastlake, Sir Charles Lock | 166 | Lord Byron’s ‘Dream’ | 1827, exhibited 1829 | Oil paint on canvas | 1827 | 1872 | 1181 | 1708 | http://www.tate.org.uk/art/artworks/eastlake-lord-byrons-dream-n00898 |
| 3008 | N00899 | Daniell, Thomas | 137 | Bridge near Rajmahal, Bihar | 1827 | Oil paint on canvas | 1827 | 1872 | 978 | 1372 | http://www.tate.org.uk/art/artworks/daniell-bridge-near-rajmahal-bihar-n00899 |
| 8435 | N00922 | Lawrence, Sir Thomas | 334 | Lady Georgiana Fane | ?1806 | Oil paint on canvas | 1806 | 1875 | 1426 | 1022 | http://www.tate.org.uk/art/artworks/lawrence-lady-georgiana-fane-n00922 |
| 8589 | N01016 | Lely, Sir Peter | 343 | Girl with a Parrot | c.1670 | Oil paint on canvas | 1670 | 1876 | 1245 | 1016 | http://www.tate.org.uk/art/artworks/lely-girl-with-a-parrot-n01016 |
| 10941 | N01026 | Opie, John | 406 | Portrait of a Lady in the Character of Cressida | exhibited 1800 | Oil paint on canvas | 1800 | 1834 | 2337 | 1448 | http://www.tate.org.uk/art/artworks/opie-portrait-of-a-lady-in-the-character-of-cressida-n01026 |
| 13439 | N01027 | Singleton, Henry | 496 | Ariel on a Bat’s Back | exhibited 1819 | Oil paint on canvas | 1819 | 1840 | 1003 | 1257 | http://www.tate.org.uk/art/artworks/singleton-ariel-on-a-bats-back-n01027 |
| 13440 | N01028 | Singleton, Henry | 496 | Manto and Tiresias | exhibited 1792 | Oil paint on canvas | 1792 | 1840 | 2413 | 1321 | http://www.tate.org.uk/art/artworks/singleton-manto-and-tiresias-n01028 |
| 8876 | N01029 | Linton, William | 352 | The Temples of Paestum | date not known | Oil paint on canvas | 1876 | 1490 | 2404 | http://www.tate.org.uk/art/artworks/linton-the-temples-of-paestum-n01029 | |
| 10291 | N01030 | Morland, George | 385 | Inside of a Stable | exhibited 1791 | Oil paint on canvas | 1791 | 1877 | 1486 | 2038 | http://www.tate.org.uk/art/artworks/morland-inside-of-a-stable-n01030 |
| 2947 | N01037 | Crome, John | 126 | Slate Quarries | c.1802–5 | Oil paint on canvas | 1802 | 1878 | 1238 | 1587 | http://www.tate.org.uk/art/artworks/crome-slate-quarries-n01037 |
| 723 | N01039 | Barker, Thomas, of Bath | 19 | Getting in Clover: Noon | 1807 | Oil paint on canvas | 1807 | 1878 | 660 | 991 | http://www.tate.org.uk/art/artworks/barker-getting-in-clover-noon-n01039 |
| 10391 | N01040 | Müller, William James | 391 | A Mountain Stream | c.1843 | Oil paint on canvas | 1843 | 1878 | 521 | 749 | http://www.tate.org.uk/art/artworks/muller-a-mountain-stream-n01040 |
| 15922 | N01043 | Ward, James | 581 | Gordale Scar (A View of Gordale, in the Manor of East Malham in Craven, Yorkshire, the Property of Lord Ribblesdale) | ?1812–4, exhibited 1815 | Oil paint on canvas | 1812 | 1878 | 3327 | 4216 | http://www.tate.org.uk/art/artworks/ward-gordale-scar-a-view-of-gordale-in-the-manor-of-east-malham-in-craven-yorkshire-the-n01043 |
| 4897 | N01044 | Gainsborough, Thomas | 199 | The Rev. Sir Henry Bate-Dudley, Bart | c.1780 | Oil paint on canvas | 1780 | 1878 | 724 | 578 | http://www.tate.org.uk/art/artworks/gainsborough-the-rev-sir-henry-bate-dudley-bart-n01044 |
| 6613 | N01046 | Hogarth, William | 265 | Sigismunda Mourning over the Heart of Guiscardo | 1759 | Oil paint on canvas | 1759 | 1879 | 1004 | 1265 | http://www.tate.org.uk/art/artworks/hogarth-sigismunda-mourning-over-the-heart-of-guiscardo-n01046 |
| 16251 | N01064 | Wilson, Richard | 606 | On the Wye | date not known | Oil paint on canvas | 1879 | 254 | 311 | http://www.tate.org.uk/art/artworks/wilson-on-the-wye-n01064 | |
| 2640 | N01065 | Constable, John | 108 | A Cornfield with Figures | date not known | Oil paint on canvas | 1879 | 248 | 403 | http://www.tate.org.uk/art/artworks/constable-a-cornfield-with-figures-n01065 | |
| 2641 | N01066 | Constable, John | 108 | ‘Barnes Common’ | date not known | Oil paint on canvas | 1879 | 251 | 352 | http://www.tate.org.uk/art/artworks/constable-barnes-common-n01066 | |
| 12729 | N01068 | Romney, George | 457 | A Lady in a Brown Dress: ‘The Parson’s Daughter’ | c.1785 | Oil paint on canvas | 1785 | 1879 | 648 | 648 | http://www.tate.org.uk/art/artworks/romney-a-lady-in-a-brown-dress-the-parsons-daughter-n01068 |
| 13931 | N01069 | Stothard, Thomas | 531 | Nymphs Discover the Narcissus | exhibited 1793 | Oil paint on canvas | 1793 | 1879 | 434 | 460 | http://www.tate.org.uk/art/artworks/stothard-nymphs-discover-the-narcissus-n01069 |
| 13932 | N01070 | Stothard, Thomas | 531 | Cupids Preparing for the Chase | date not known | Oil paint on canvas | 1879 | 457 | 330 | http://www.tate.org.uk/art/artworks/stothard-cupids-preparing-for-the-chase-n01070 | |
| 2789 | N01072 | Copley, John Singleton | 113 | Study for ‘The Collapse of the Earl of Chatham’ | c.1779 | Oil paint on canvas | 1779 | 1879 | 635 | 768 | http://www.tate.org.uk/art/artworks/copley-study-for-the-collapse-of-the-earl-of-chatham-n01072 |
| 2790 | N01073 | Copley, John Singleton | 113 | Study for ‘The Collapse of the Earl of Chatham’ | c.1779 | Oil paint on canvas | 1779 | 1879 | 714 | 1045 | http://www.tate.org.uk/art/artworks/copley-study-for-the-collapse-of-the-earl-of-chatham-n01073 |
| 1513 | N01076 | British School 18th century | 59 | Self-Portrait of an Unknown Artist at the Age of Twenty-two | ?c.1740 | Oil paint on canvas | 1740 | 1879 | 769 | 639 | http://www.tate.org.uk/art/artworks/british-school-18th-century-self-portrait-of-an-unknown-artist-at-the-age-of-twenty-two-n01076 |
| 12158 | N01091 | Poole, Paul Falconer | 430 | The Vision of Ezekiel | exhibited 1875 | Oil paint on canvas | 1875 | 1880 | 1370 | 1870 | http://www.tate.org.uk/art/artworks/poole-the-vision-of-ezekiel-n01091 |
| 16229 | N01097 | Wilson, Richard | 606 | Ariccia | c.1752–7 | Oil paint on canvas | 1752 | 1861 | 489 | 635 | http://www.tate.org.uk/art/artworks/wilson-ariccia-n01097 |
| 2829 | N01111 | Cotman, John Sell | 116 | Wherries on Breydon | c.1808 | Oil paint on canvas | 1808 | 1882 | 546 | 787 | http://www.tate.org.uk/art/artworks/cotman-wherries-on-breydon-n01111 |
| 8442 | N01142 | Lawson, Cecil | 335 | The August Moon | 1880 | Oil paint on canvas | 1880 | 1883 | 1689 | 3045 | http://www.tate.org.uk/art/artworks/lawson-the-august-moon-n01142 |
| 12271 | N01146 | Raeburn, Sir Henry | 437 | Mrs Downey | c.1787–90 | Oil paint on canvas | 1787 | 1883 | 2375 | 1499 | http://www.tate.org.uk/art/artworks/raeburn-mrs-downey-n01146 |
| 6614 | N01153 | Hogarth, William | 265 | The Strode Family | c.1738 | Oil paint on canvas | 1738 | 1880 | 1126 | 1175 | http://www.tate.org.uk/art/artworks/hogarth-the-strode-family-n01153 |
| 588 | N01156 | Arnald, George | 13 | View on the Ouse at York | ?exhibited 1803 | Oil paint on canvas | 1803 | 1884 | 1118 | 1410 | http://www.tate.org.uk/art/artworks/arnald-view-on-the-ouse-at-york-n01156 |
| 6615 | N01161 | Hogarth, William | 265 | Lavinia Fenton, Duchess of Bolton | c.1740–50 | Oil paint on canvas | 1740 | 1884 | 737 | 584 | http://www.tate.org.uk/art/artworks/hogarth-lavinia-fenton-duchess-of-bolton-n01161 |
| 10942 | N01167 | Opie, John | 406 | Mary Wollstonecraft (Mrs William Godwin) | c.1790–1 | Oil paint on canvas | 1790 | 1884 | 759 | 638 | http://www.tate.org.uk/art/artworks/opie-mary-wollstonecraft-mrs-william-godwin-n01167 |
| 4960 | N01174 | Gainsborough, Thomas | 199 | Copy of ‘The Watering Place’ | date not known | Oil paint on canvas | 1885 | 419 | 546 | http://www.tate.org.uk/art/artworks/gainsborough-copy-of-the-watering-place-n01174 | |
| 15924 | N01175 | Ward, James | 581 | Cattle-Piece, ? Marylebone Park | 1807 | Oil paint on canvas | 1807 | 1885 | 743 | 1175 | http://www.tate.org.uk/art/artworks/ward-cattle-piece-marylebone-park-n01175 |
| 10569 | N01177 | Nasmyth, Patrick | 397 | Landscape | 1831 | Oil paint on canvas | 1831 | 1885 | 502 | 692 | http://www.tate.org.uk/art/artworks/nasmyth-landscape-n01177 |
| 14816 | N01180 | Turner, Joseph Mallord William | 558 | Cliveden on Thames | ?exhibited 1807 | Oil paint on canvas | 1807 | 1885 | 392 | 590 | http://www.tate.org.uk/art/artworks/turner-cliveden-on-thames-n01180 |
| 10473 | N01181 | Mulready, William | 392 | A Sea-Shore | date not known | Oil paint on canvas | 1885 | 375 | 502 | http://www.tate.org.uk/art/artworks/mulready-a-sea-shore-n01181 | |
| 8613 | N01182 | Leslie, Charles Robert | 346 | A Scene from Milton’s ‘Comus’ | exhibited 1844 | Oil paint on canvas | 1844 | 1885 | 328 | 418 | http://www.tate.org.uk/art/artworks/leslie-a-scene-from-miltons-comus-n01182 |
| 17838 | N01184 | Lance, George | 321 | Fruit Piece | date not known | Oil paint on canvas | 1885 | 357 | 459 | http://www.tate.org.uk/art/artworks/lance-fruit-piece-n01184 | |
| 5380 | N01186 | Glover, John | 212 | Landscape with Cattle | date not known | Oil paint on canvas | 1885 | 521 | 718 | http://www.tate.org.uk/art/artworks/glover-landscape-with-cattle-n01186 | |
| 13174 | N01191 | Schetky, John Christian | 478 | Loss of the ‘Royal George’ | exhibited 1840 | Oil paint on canvas | 1840 | 1885 | 1060 | 1829 | http://www.tate.org.uk/art/artworks/schetky-loss-of-the-royal-george-n01191 |
| 317 | N01198 | Abbott, Lemuel Francis | 1 | Henry Byne, of Carshalton | date not known | Oil paint on canvas | 1885 | 737 | 610 | http://www.tate.org.uk/art/artworks/abbott-henry-byne-of-carshalton-n01198 | |
| 1486 | N01205 | Bridell, Frederick Lee | 54 | The Woods of Sweet Chestnut above Varenna, Lake Como | 1860 | Oil paint on canvas | 1860 | 1886 | 559 | 1505 | http://www.tate.org.uk/art/artworks/bridell-the-woods-of-sweet-chestnut-above-varenna-lake-como-n01205 |
| 2160 | N01208 | Chandler, J.W. | 2340 | William Godwin | 1798 | Oil paint on canvas | 1798 | 1886 | 749 | 622 | http://www.tate.org.uk/art/artworks/chandler-william-godwin-n01208 |
| 15803 | N01209 | Walker, Frederick | 575 | The Vagrants | 1868 | Oil paint on canvas | 1868 | 1886 | 832 | 1264 | http://www.tate.org.uk/art/artworks/walker-the-vagrants-n01209 |
| 12768 | N01210 | Rossetti, Dante Gabriel | 461 | Ecce Ancilla Domini! (The Annunciation) | 1849–50 | Oil paint on canvas | 1849 | 1886 | 724 | 419 | http://www.tate.org.uk/art/artworks/rossetti-ecce-ancilla-domini-the-annunciation-n01210 |
| 13202 | N01223 | Scott, Samuel | 480 | An Arch of Old Westminster Bridge | c.1750 | Oil paint on canvas | 1750 | 1886 | 270 | 397 | http://www.tate.org.uk/art/artworks/scott-an-arch-of-old-westminster-bridge-n01223 |
| 6942 | N01224 | Hudson, Thomas | 281 | Samuel Scott, the Marine Painter | c.1731–3 | Oil paint on canvas | 1731 | 1886 | 1220 | 978 | http://www.tate.org.uk/art/artworks/hudson-samuel-scott-the-marine-painter-n01224 |
| 8353 | N01226 | Landseer, Sir Edwin Henry | 323 | A Distinguished Member of the Humane Society | exhibited 1838 | Oil paint on canvas | 1838 | 1887 | 1118 | 1435 | http://www.tate.org.uk/art/artworks/landseer-a-distinguished-member-of-the-humane-society-n01226 |
| 4759 | N01228 | Fuseli, Henry | 198 | Titania and Bottom | c.1790 | Oil paint on canvas | 1790 | 1887 | 2172 | 2756 | http://www.tate.org.uk/art/artworks/fuseli-titania-and-bottom-n01228 |
| 2585 | N01235 | Constable, John | 108 | East Bergholt House | c.1809 | Oil paint on canvas | 1809 | 1887 | 225 | 686 | http://www.tate.org.uk/art/artworks/constable-east-bergholt-house-n01235 |
| 2586 | N01236 | Constable, John | 108 | Hampstead Heath, with the House Called ‘The Salt Box’ | c.1819–20 | Oil paint on canvas | 1819 | 1887 | 384 | 670 | http://www.tate.org.uk/art/artworks/constable-hampstead-heath-with-the-house-called-the-salt-box-n01236 |
| 8436 | N01238 | Lawrence, Sir Thomas | 334 | Sir Samuel Romilly | c.1810 | Oil paint on canvas | 1810 | 1887 | 749 | 622 | http://www.tate.org.uk/art/artworks/lawrence-sir-samuel-romilly-n01238 |
| 6599 | N01242 | Hofland, Thomas Christopher | 264 | Stirling Castle | c.1815 | Oil paint on canvas | 1815 | 1888 | 1321 | 1841 | http://www.tate.org.uk/art/artworks/hofland-stirling-castle-n01242 |
| 2588 | N01244 | Constable, John | 108 | Gillingham Bridge, Dorset | 1823 | Oil paint on canvas | 1823 | 1888 | 321 | 514 | http://www.tate.org.uk/art/artworks/constable-gillingham-bridge-dorset-n01244 |
| 2589 | N01245 | Constable, John | 108 | The Church Porch, East Bergholt | exhibited 1810 | Oil paint on canvas | 1810 | 1888 | 445 | 359 | http://www.tate.org.uk/art/artworks/constable-the-church-porch-east-bergholt-n01245 |
| 2590 | N01246 | Constable, John | 108 | The Grove, Hampstead | c.1821–2 | Oil paint on canvas | 1821 | 1888 | 356 | 302 | http://www.tate.org.uk/art/artworks/constable-the-grove-hampstead-n01246 |
| 3956 | N01249 | Dobson, William | 153 | Endymion Porter | c.1642–5 | Oil paint on canvas | 1642 | 1888 | 1499 | 1270 | http://www.tate.org.uk/art/artworks/dobson-endymion-porter-n01249 |
| 9137 | N01250 | Maclise, Daniel | 365 | Charles Dickens | 1839 | Oil paint on canvas | 1839 | 1888 | 870 | 686 | http://www.tate.org.uk/art/artworks/maclise-charles-dickens-n01250 |
| 1512 | N01254 | British School 18th century | 59 | Hyde Park Corner | c.1790 | Oil paint on canvas | 1790 | 1888 | 546 | 889 | http://www.tate.org.uk/art/artworks/british-school-18th-century-hyde-park-corner-n01254 |
| 4056 | N01271 | Gainsborough, Thomas | 199 | Marie Jean Augustin Vestris | c.1781–2 | Oil paint on canvas | 1781 | 1888 | 318 | 267 | http://www.tate.org.uk/art/artworks/gainsborough-marie-jean-augustin-vestris-n01271 |
| 2591 | N01273 | Constable, John | 108 | Flatford Mill (‘Scene on a Navigable River’) | 1816–17 | Oil paint on canvas | 1816 | 1888 | 1016 | 1270 | http://www.tate.org.uk/art/artworks/constable-flatford-mill-scene-on-a-navigable-river-n01273 |
| 2592 | N01274 | Constable, John | 108 | The Glebe Farm | c.1830 | Oil paint on canvas | 1830 | 1888 | 648 | 956 | http://www.tate.org.uk/art/artworks/constable-the-glebe-farm-n01274 |
| 2593 | N01275 | Constable, John | 108 | Hampstead Heath with a Rainbow | 1836 | Oil paint on canvas | 1836 | 1888 | 508 | 762 | http://www.tate.org.uk/art/artworks/constable-hampstead-heath-with-a-rainbow-n01275 |
| 2594 | N01276 | Constable, John | 108 | Harwich Lighthouse | ?exhibited 1820 | Oil paint on canvas | 1820 | 1888 | 327 | 502 | http://www.tate.org.uk/art/artworks/constable-harwich-lighthouse-n01276 |
| 12769 | N01279 | Rossetti, Dante Gabriel | 461 | Beata Beatrix | c.1864–70 | Oil paint on canvas | 1864 | 1889 | 864 | 660 | http://www.tate.org.uk/art/artworks/rossetti-beata-beatrix-n01279 |
| 2804 | N01281 | Cotes, Francis | 115 | Mrs Brocas (?) | date not known | Oil paint on canvas | 1889 | 743 | 622 | http://www.tate.org.uk/art/artworks/cotes-mrs-brocas-n01281 | |
| 4898 | N01283 | Gainsborough, Thomas | 199 | Wooded Landscape with a Peasant Resting | c.1747 | Oil paint on canvas | 1747 | 1889 | 625 | 781 | http://www.tate.org.uk/art/artworks/gainsborough-wooded-landscape-with-a-peasant-resting-n01283 |
| 16230 | N01290 | Wilson, Richard | 606 | Landscape with Bathers, Cattle and Ruin | c.1770–5 | Oil paint on canvas | 1770 | 1889 | 584 | 749 | http://www.tate.org.uk/art/artworks/wilson-landscape-with-bathers-cattle-and-ruin-n01290 |
| 724 | N01306 | Barker, Thomas, of Bath | 19 | Landscape with Figures and Sheep | c.1815 | Oil paint on canvas | 1815 | 1890 | 813 | 1130 | http://www.tate.org.uk/art/artworks/barker-landscape-with-figures-and-sheep-n01306 |
| 8437 | N01307 | Lawrence, Sir Thomas | 334 | Miss Caroline Fry | 1827 | Oil paint on canvas | 1827 | 1890 | 756 | 629 | http://www.tate.org.uk/art/artworks/lawrence-miss-caroline-fry-n01307 |
| 7172 | N01320 | Johnson, Cornelius | 297 | Apolonius Veth | 1644 | Oil paint on canvas | 1644 | 1891 | 781 | 635 | http://www.tate.org.uk/art/artworks/johnson-apolonius-veth-n01320 |
| 7173 | N01321 | Johnson, Cornelius | 297 | Cornelia Veth | 1644 | Oil paint on canvas | 1644 | 1891 | 787 | 635 | http://www.tate.org.uk/art/artworks/johnson-cornelia-veth-n01321 |
| 13220 | N01322 | Scott, William Bell | 481 | The Eve of the Deluge | 1865 | Oil paint on canvas | 1865 | 1891 | 324 | 445 | http://www.tate.org.uk/art/artworks/scott-the-eve-of-the-deluge-n01322 |
| 13203 | N01328 | Scott, Samuel | 480 | A View of the Thames with the York Buildings Water Tower | ?c.1760–70 | Oil paint on canvas | 1760 | 1891 | 603 | 1095 | http://www.tate.org.uk/art/artworks/scott-a-view-of-the-thames-with-the-york-buildings-water-tower-n01328 |
| 8354 | N01350 | Landseer, Sir Edwin Henry | 323 | Study of a Lion | c.1862 | Oil paint on canvas | 1862 | 1892 | 914 | 1378 | http://www.tate.org.uk/art/artworks/landseer-study-of-a-lion-n01350 |
| 20747 | N01351 | Morland, George | 385 | Door of a Village Inn | date not known | Oil paint on canvas | 1892 | 1045 | 1264 | http://www.tate.org.uk/art/artworks/morland-door-of-a-village-inn-n01351 | |
| 9232 | N01355 | Manson, James Bolivar | 1570 | Michaelmas Daisies | c.1923 | Oil paint on canvas | 1923 | 1923 | 610 | 508 | http://www.tate.org.uk/art/artworks/manson-michaelmas-daisies-n01355 |
| 16533 | N01357 | Zuloaga, Ignacio | 2187 | View of the Escorial | ?c.1905 | Oil paint on canvas | 1905 | 1923 | 292 | 406 | http://www.tate.org.uk/art/artworks/zuloaga-view-of-the-escorial-n01357 |
| 6616 | N01374 | Hogarth, William | 265 | Heads of Six of Hogarth’s Servants | c.1750–5 | Oil paint on canvas | 1750 | 1892 | 630 | 755 | http://www.tate.org.uk/art/artworks/hogarth-heads-of-six-of-hogarths-servants-n01374 |
| 10573 | N01384 | Nasmyth, Patrick | 397 | View in the New Forest near Lyndhurst | 1815 | Oil paint on canvas | 1815 | 1893 | 660 | 870 | http://www.tate.org.uk/art/artworks/nasmyth-view-in-the-new-forest-near-lyndhurst-n01384 |
| 4090 | N01385 | Egg, Augustus Leopold | 169 | Beatrix Knighting Esmond | 1857 | Oil paint on canvas | 1857 | 1893 | 869 | 1171 | http://www.tate.org.uk/art/artworks/egg-beatrix-knighting-esmond-n01385 |
| 9361 | N01388 | Mason, George | 373 | The Cast Shoe | exhibited 1865 | Oil paint on canvas | 1865 | 1893 | 311 | 508 | http://www.tate.org.uk/art/artworks/mason-the-cast-shoe-n01388 |
| 16208 | N01389 | Willcock, George Burrell | 601 | Chelston Lane, Torquay | 1851 | Oil paint on canvas | 1851 | 1893 | 616 | 514 | http://www.tate.org.uk/art/artworks/willcock-chelston-lane-torquay-n01389 |
| 15804 | N01391 | Walker, Frederick | 575 | The Harbour of Refuge | 1872 | Oil paint on canvas | 1872 | 1893 | 1168 | 1975 | http://www.tate.org.uk/art/artworks/walker-the-harbour-of-refuge-n01391 |
| 885 | N01392 | Bell, John Zephaniah | 32 | Cardinal Bourchier Urges the Widow of Edward IV to Let her Son out of Sanctuary | exhibited 1868 | Oil paint on canvas | 1868 | 1893 | 1321 | 1765 | http://www.tate.org.uk/art/artworks/bell-cardinal-bourchier-urges-the-widow-of-edward-iv-to-let-her-son-out-of-sanctuary-n01392 |
| 1581 | N01394 | Brown, Ford Madox | 65 | Jesus Washing Peter’s Feet | 1852–6 | Oil paint on canvas | 1852 | 1893 | 1168 | 1333 | http://www.tate.org.uk/art/artworks/brown-jesus-washing-peters-feet-n01394 |
| 4078 | N01395 | Eastlake, Sir Charles Lock | 166 | Mrs Charles H. Bellenden Ker | 1835 | Oil paint on canvas | 1835 | 1893 | 762 | 635 | http://www.tate.org.uk/art/artworks/eastlake-mrs-charles-h-bellenden-ker-n01395 |
| 12730 | N01396 | Romney, George | 457 | Mr and Mrs William Lindow | 1772 | Oil paint on canvas | 1772 | 1893 | 1391 | 1143 | http://www.tate.org.uk/art/artworks/romney-mr-and-mrs-william-lindow-n01396 |
| 10301 | N01402 | Morland, Henry Robert | 386 | A Lady’s Maid Soaping Linen | c.1765–82 | Oil paint on canvas | 1765 | 1894 | 743 | 616 | http://www.tate.org.uk/art/artworks/morland-a-ladys-maid-soaping-linen-n01402 |
| 10302 | N01403 | Morland, Henry Robert | 386 | A Laundry Maid Ironing | c.1765–82 | Oil paint on canvas | 1765 | 1894 | 743 | 616 | http://www.tate.org.uk/art/artworks/morland-a-laundry-maid-ironing-n01403 |
| 7068 | N01404 | Jackson, John | 295 | James Northcote | 1813 or 1821 | Oil paint on canvas | 1813 | 1894 | 1321 | 965 | http://www.tate.org.uk/art/artworks/jackson-james-northcote-n01404 |
| 4063 | N01407 | Dyce, William | 164 | Pegwell Bay, Kent - a Recollection of October 5th 1858 | ?1858–60 | Oil paint on canvas | 1858 | 1894 | 635 | 889 | http://www.tate.org.uk/art/artworks/dyce-pegwell-bay-kent-a-recollection-of-october-5th-1858-n01407 |
| 10943 | N01408 | Opie, John | 406 | Master William Opie | c.1788 | Oil paint on canvas | 1788 | 1894 | 521 | 425 | http://www.tate.org.uk/art/artworks/opie-master-william-opie-n01408 |
| 8438 | N01413 | Lawrence, Sir Thomas | 334 | Philip Sansom | c.1805–10 | Oil paint on canvas | 1805 | 1894 | 1264 | 1016 | http://www.tate.org.uk/art/artworks/lawrence-philip-sansom-n01413 |
| 16109 | N01414 | Westall, Richard | 595 | Philip Sansom, Jun., as a Child | date not known | Oil paint on canvas | 1894 | 1550 | 1300 | http://www.tate.org.uk/art/artworks/westall-philip-sansom-jun-as-a-child-n01414 | |
| 8283 | N01428 | Lancaster, Rev. Richard Hume | 320 | A View at Southampton | 1817 | Oil paint on canvas | 1817 | 1894 | 886 | 1365 | http://www.tate.org.uk/art/artworks/lancaster-a-view-at-southampton-n01428 |
| 12272 | N01435 | Raeburn, Sir Henry | 437 | Lieut-Colonel Bryce McMurdo | c.1800–10 | Oil paint on canvas | 1800 | 1895 | 2400 | 1480 | http://www.tate.org.uk/art/artworks/raeburn-lieut-colonel-bryce-mcmurdo-n01435 |
| 13982 | N01452 | Stubbs, George | 538 | A Grey Hunter with a Groom and a Greyhound at Creswell Crags | c.1762–4 | Oil paint on canvas | 1762 | 1895 | 445 | 679 | http://www.tate.org.uk/art/artworks/stubbs-a-grey-hunter-with-a-groom-and-a-greyhound-at-creswell-crags-n01452 |
| 10583 | N01453 | Nebot, Balthazar | 398 | Covent Garden Market | 1737 | Oil paint on canvas | 1737 | 1895 | 648 | 1228 | http://www.tate.org.uk/art/artworks/nebot-covent-garden-market-n01453 |
| 2830 | N01458 | Cotman, John Sell | 116 | A Galiot in a Gale | date not known | Oil paint on canvas | 1895 | 1092 | 1384 | http://www.tate.org.uk/art/artworks/cotman-a-galiot-in-a-gale-n01458 | |
| 7014 | N01460 | Ibbetson, Julius Caesar | 292 | Smugglers on the Irish Coast | 1808 | Oil paint on canvas | 1808 | 1895 | 546 | 851 | http://www.tate.org.uk/art/artworks/ibbetson-smugglers-on-the-irish-coast-n01460 |
| 10392 | N01463 | Müller, William James | 391 | View of Bologna: Capriccio with Eastern Figures | c.1835 | Oil paint on canvas | 1835 | 1895 | 603 | 902 | http://www.tate.org.uk/art/artworks/muller-view-of-bologna-capriccio-with-eastern-figures-n01463 |
| 6617 | N01464 | Hogarth, William | 265 | O the Roast Beef of Old England (‘The Gate of Calais’) | 1748 | Oil paint on canvas | 1748 | 1895 | 788 | 945 | http://www.tate.org.uk/art/artworks/hogarth-o-the-roast-beef-of-old-england-the-gate-of-calais-n01464 |
| 8284 | N01467 | Lancaster, Rev. Richard Hume | 320 | Landscape, with a View of Oxford | exhibited 1814 | Oil paint on canvas | 1814 | 1895 | 508 | 711 | http://www.tate.org.uk/art/artworks/lancaster-landscape-with-a-view-of-oxford-n01467 |
| 10393 | N01474 | Müller, William James | 391 | Dredging on the Medway | date not known | Oil paint on canvas | 1896 | 921 | 1840 | http://www.tate.org.uk/art/artworks/muller-dredging-on-the-medway-n01474 | |
| 1571 | N01475 | Brooking, Charles | 64 | Fishing Smacks Becalmed near a Shore | date not known | Oil paint on canvas | 1896 | 273 | 838 | http://www.tate.org.uk/art/artworks/brooking-fishing-smacks-becalmed-near-a-shore-n01475 | |
| 7024 | N01477 | Inchbold, John William | 293 | The Moorland (Dewar-stone, Dartmoor) | 1854 | Oil paint on canvas | 1854 | 1896 | 356 | 533 | http://www.tate.org.uk/art/artworks/inchbold-the-moorland-dewar-stone-dartmoor-n01477 |
| 13362 | N01480 | Shee, Sir Martin Archer | 490 | Gilbert Stuart | ?1788 | Oil paint on canvas | 1788 | 1896 | 762 | 634 | http://www.tate.org.uk/art/artworks/shee-gilbert-stuart-n01480 |
| 4899 | N01482 | Gainsborough, Thomas | 199 | The Artist’s Daughter Margaret | c.1772 | Oil paint on canvas | 1772 | 1896 | 756 | 629 | http://www.tate.org.uk/art/artworks/gainsborough-the-artists-daughter-margaret-n01482 |
| 4900 | N01483 | Gainsborough, Thomas | 199 | Tristram and Fox | c.1775–85 | Oil paint on canvas | 1775 | 1896 | 610 | 508 | http://www.tate.org.uk/art/artworks/gainsborough-tristram-and-fox-n01483 |
| 4901 | N01484 | Gainsborough, Thomas | 199 | An Old Horse | c.1755 | Oil paint on canvas | 1755 | 1896 | 552 | 648 | http://www.tate.org.uk/art/artworks/gainsborough-an-old-horse-n01484 |
| 4902 | N01485 | Gainsborough, Thomas | 199 | Landscape with a Peasant on a Path | c.1746–7 | Oil paint on canvas | 1746 | 1896 | 222 | 171 | http://www.tate.org.uk/art/artworks/gainsborough-landscape-with-a-peasant-on-a-path-n01485 |
| 4903 | N01486 | Gainsborough, Thomas | 199 | Landscape with Figures under a Tree | c.1746–7 | Oil paint on canvas | 1746 | 1896 | 222 | 171 | http://www.tate.org.uk/art/artworks/gainsborough-landscape-with-figures-under-a-tree-n01486 |
| 16523 | N01487 | Zoffany, Johan | 620 | Thomas Gainsborough | c.1772 | Oil paint on canvas | 1772 | 1896 | 197 | 171 | http://www.tate.org.uk/art/artworks/zoffany-thomas-gainsborough-n01487 |
| 4057 | N01488 | Dupont, Gainsborough | 162 | Rustics with Donkey | date not known | Oil paint on canvas | 1896 | 452 | 546 | http://www.tate.org.uk/art/artworks/dupont-rustics-with-donkey-n01488 | |
| 9504 | N01494 | Millais, Sir John Everett, Bt | 379 | The Yeoman of the Guard | 1876 | Oil paint on canvas | 1876 | 1897 | 1397 | 1118 | http://www.tate.org.uk/art/artworks/millais-the-yeoman-of-the-guard-n01494 |
| 10293 | N01497 | Morland, George | 385 | Rabbiting | 1792 | Oil paint on canvas | 1792 | 1897 | 864 | 1168 | http://www.tate.org.uk/art/artworks/morland-rabbiting-n01497 |
| 8160 | N01498 | Knight, John Prescott | 314 | Sacking a Church at the Time of John Knox | 1843 | Oil paint on canvas | 1843 | 1895 | 1460 | 1956 | http://www.tate.org.uk/art/artworks/knight-sacking-a-church-at-the-time-of-john-knox-n01498 |
| 6472 | N01499 | Hilton, William, the Younger | 261 | Nature Blowing Bubbles for her Children | exhibited 1821 | Oil paint on canvas | 1821 | 1896 | 1727 | 2324 | http://www.tate.org.uk/art/artworks/hilton-nature-blowing-bubbles-for-her-children-n01499 |
| 9352 | N01500 | Martineau, Robert Braithwaite | 372 | The Last Day in the Old Home | 1862 | Oil paint on canvas | 1862 | 1896 | 1073 | 1448 | http://www.tate.org.uk/art/artworks/martineau-the-last-day-in-the-old-home-n01500 |
| 8555 | N01501 | Legros, Alphonse | 341 | Femmes en Prière | 1888 | Oil paint on canvas | 1888 | 1897 | 1335 | 1770 | http://www.tate.org.uk/art/artworks/legros-femmes-en-priere-n01501 |
| 9034 | N01502 | Macallum, Hamilton | 357 | The Crofter’s Team | 1896 | Oil paint on canvas | 1896 | 1897 | 910 | 1710 | http://www.tate.org.uk/art/artworks/macallum-the-crofters-team-n01502 |
| 9505 | N01503 | Millais, Sir John Everett, Bt | 379 | Equestrian Portrait (begun by Sir Edwin Landseer) | 1882 | Oil paint on canvas | 1882 | 1897 | 3299 | 2444 | http://www.tate.org.uk/art/artworks/millais-equestrian-portrait-begun-by-sir-edwin-landseer-n01503 |
| 2952 | N01504 | Crome, John | 126 | Hingham Lane Scene, Norfolk | date not known | Oil paint on canvas | 1894 | 622 | 819 | http://www.tate.org.uk/art/artworks/crome-hingham-lane-scene-norfolk-n01504 | |
| 6706 | N01505 | Hoppner, John | 276 | Portrait of a Lady | date not known | Oil paint on canvas | 1894 | 1275 | 1015 | http://www.tate.org.uk/art/artworks/hoppner-portrait-of-a-lady-n01505 | |
| 9506 | N01506 | Millais, Sir John Everett, Bt | 379 | Ophelia | 1851–2 | Oil paint on canvas | 1851 | 1894 | 762 | 1118 | http://www.tate.org.uk/art/artworks/millais-ophelia-n01506 |
| 9507 | N01507 | Millais, Sir John Everett, Bt | 379 | The Vale of Rest | 1858–9 | Oil paint on canvas | 1858 | 1894 | 1029 | 1727 | http://www.tate.org.uk/art/artworks/millais-the-vale-of-rest-n01507 |
| 9508 | N01508 | Millais, Sir John Everett, Bt | 379 | The Knight Errant | 1870 | Oil paint on canvas | 1870 | 1894 | 1841 | 1353 | http://www.tate.org.uk/art/artworks/millais-the-knight-errant-n01508 |
| 9509 | N01509 | Millais, Sir John Everett, Bt | 379 | The North-West Passage | 1874 | Oil paint on canvas | 1874 | 1894 | 1765 | 2222 | http://www.tate.org.uk/art/artworks/millais-the-north-west-passage-n01509 |
| 9510 | N01510 | Millais, Sir John Everett, Bt | 379 | Mercy: St Bartholomew’s Day, 1572 | 1886 | Oil paint on canvas | 1886 | 1894 | 1841 | 1308 | http://www.tate.org.uk/art/artworks/millais-mercy-st-bartholomews-day-1572-n01510 |
| 8576 | N01511 | Leighton, Lord Frederic | 342 | And the Sea Gave Up the Dead Which Were in It | exhibited 1892 | Oil paint on canvas | 1892 | 1894 | 2286 | 2286 | http://www.tate.org.uk/art/artworks/leighton-and-the-sea-gave-up-the-dead-which-were-in-it-n01511 |
| 6698 | N01512 | Hook, James Clarke | 275 | Home with the Tide | 1880 | Oil paint on canvas | 1880 | 1894 | 889 | 1397 | http://www.tate.org.uk/art/artworks/hook-home-with-the-tide-n01512 |
| 6699 | N01513 | Hook, James Clarke | 275 | Young Dreams | 1887 | Oil paint on canvas | 1887 | 1894 | 1060 | 1422 | http://www.tate.org.uk/art/artworks/hook-young-dreams-n01513 |
| 6700 | N01514 | Hook, James Clarke | 275 | The Seaweed Raker | 1889 | Oil paint on canvas | 1889 | 1894 | 1033 | 1540 | http://www.tate.org.uk/art/artworks/hook-the-seaweed-raker-n01514 |
| 12639 | N01515 | Riviere, Briton | 453 | The Miracle of the Gaderene Swine | 1883 | Oil paint on canvas | 1883 | 1894 | 1079 | 1607 | http://www.tate.org.uk/art/artworks/riviere-the-miracle-of-the-gaderene-swine-n01515 |
| 12640 | N01516 | Riviere, Briton | 453 | Giants at Play | 1882 | Oil paint on canvas | 1882 | 1894 | 838 | 1353 | http://www.tate.org.uk/art/artworks/riviere-giants-at-play-n01516 |
| 12641 | N01517 | Riviere, Briton | 453 | Companions in Misfortune | 1883 | Oil paint on canvas | 1883 | 1894 | 876 | 1283 | http://www.tate.org.uk/art/artworks/riviere-companions-in-misfortune-n01517 |
| 12642 | N01518 | Riviere, Briton | 453 | A Blockade Runner | 1888 | Oil paint on canvas | 1888 | 1894 | 597 | 438 | http://www.tate.org.uk/art/artworks/riviere-a-blockade-runner-n01518 |
| 10954 | N01519 | Orchardson, Sir William Quiller | 407 | Her First Dance | 1884 | Oil paint on canvas | 1884 | 1894 | 1016 | 1384 | http://www.tate.org.uk/art/artworks/orchardson-her-first-dance-n01519 |
| 10955 | N01520 | Orchardson, Sir William Quiller | 407 | The First Cloud | 1887 | Oil paint on canvas | 1887 | 1894 | 832 | 1213 | http://www.tate.org.uk/art/artworks/orchardson-the-first-cloud-n01520 |
| 10956 | N01521 | Orchardson, Sir William Quiller | 407 | Her Mother’s Voice | exhibited 1888 | Oil paint on canvas | 1888 | 1894 | 1016 | 1486 | http://www.tate.org.uk/art/artworks/orchardson-her-mothers-voice-n01521 |
| 4277 | N01522 | Fildes, Sir Luke | 183 | The Doctor | exhibited 1891 | Oil paint on canvas | 1891 | 1894 | 1664 | 2419 | http://www.tate.org.uk/art/artworks/fildes-the-doctor-n01522 |
| 5562 | N01524 | Graham, Peter | 221 | A Rainy Day | 1871 | Oil paint on canvas | 1871 | 1894 | 1168 | 1803 | http://www.tate.org.uk/art/artworks/graham-a-rainy-day-n01524 |
| 4214 | N01525 | Faed, Thomas | 174 | The Silken Gown | 1860 or 63 | Oil paint on canvas | 1860 | 1894 | 955 | 767 | http://www.tate.org.uk/art/artworks/faed-the-silken-gown-n01525 |
| 4215 | N01526 | Faed, Thomas | 174 | Faults on Both Sides | 1861 | Oil paint on canvas | 1861 | 1894 | 673 | 552 | http://www.tate.org.uk/art/artworks/faed-faults-on-both-sides-n01526 |
| 4216 | N01527 | Faed, Thomas | 174 | Highland Mother | exhibited 1870 | Oil paint on canvas | 1870 | 1894 | 267 | 203 | http://www.tate.org.uk/art/artworks/faed-highland-mother-n01527 |
| 3657 | N01528 | Davis, Henry William Banks | 139 | Mother and Son | 1881 | Oil paint on canvas | 1881 | 1894 | 508 | 762 | http://www.tate.org.uk/art/artworks/davis-mother-and-son-n01528 |
| 5549 | N01529 | Gow, Andrew Carrick | 218 | A Musical Story by Chopin | 1879 | Oil paint on canvas | 1879 | 1894 | 698 | 902 | http://www.tate.org.uk/art/artworks/gow-a-musical-story-by-chopin-n01529 |
| 5550 | N01530 | Gow, Andrew Carrick | 218 | A Lost Cause: Flight of King James II after the Battle of the Boyne | 1888 | Oil paint on canvas | 1888 | 1894 | 1181 | 1511 | http://www.tate.org.uk/art/artworks/gow-a-lost-cause-flight-of-king-james-ii-after-the-battle-of-the-boyne-n01530 |
| 16468 | N01531 | Woods, Henry | 610 | Cupid’s Spell | 1885 | Oil paint on canvas | 1885 | 1894 | 1187 | 749 | http://www.tate.org.uk/art/artworks/woods-cupids-spell-n01531 |
| 17839 | N01533 | Landseer, Sir Edwin Henry | 323 | Uncle Tom | date not known | Oil paint on canvas | 1894 | 707 | 915 | http://www.tate.org.uk/art/artworks/landseer-uncle-tom-n01533 | |
| 11532 | N01534 | Phillip, John | 422 | The Promenade | 1859 | Oil paint on canvas | 1859 | 1894 | 762 | 568 | http://www.tate.org.uk/art/artworks/phillip-the-promenade-n01534 |
| 6654 | N01535 | Holl, Frank | 267 | Hush! | 1877 | Oil paint on canvas | 1877 | 1894 | 343 | 445 | http://www.tate.org.uk/art/artworks/holl-hush-n01535 |
| 6655 | N01536 | Holl, Frank | 267 | Hushed | 1877 | Oil paint on canvas | 1877 | 1894 | 343 | 445 | http://www.tate.org.uk/art/artworks/holl-hushed-n01536 |
| 10743 | N01537 | Nicol, Erskine | 400 | Wayside Prayer | 1852 | Oil paint on canvas | 1852 | 1894 | 387 | 645 | http://www.tate.org.uk/art/artworks/nicol-wayside-prayer-n01537 |
| 10744 | N01538 | Nicol, Erskine | 400 | The Emigrants | 1864 | Oil paint on canvas | 1864 | 1894 | 457 | 349 | http://www.tate.org.uk/art/artworks/nicol-the-emigrants-n01538 |
| 1366 | N01539 | Boughton, George Henry | 44 | Weeding the Pavement | 1882 | Oil paint on canvas | 1882 | 1894 | 1345 | 1955 | http://www.tate.org.uk/art/artworks/boughton-weeding-the-pavement-n01539 |
| 8451 | N01540 | Leader, Benjamin Williams | 336 | The Valley of the Llugwy | 1883 | Oil paint on canvas | 1883 | 1894 | 1194 | 2007 | http://www.tate.org.uk/art/artworks/leader-the-valley-of-the-llugwy-n01540 |
| 15982 | N01541 | Waterhouse, John William | 583 | Consulting the Oracle | 1884 | Oil paint on canvas | 1884 | 1894 | 1194 | 1981 | http://www.tate.org.uk/art/artworks/waterhouse-consulting-the-oracle-n01541 |
| 15983 | N01542 | Waterhouse, John William | 583 | Saint Eulalia | exhibited 1885 | Oil paint on canvas | 1885 | 1894 | 1886 | 1175 | http://www.tate.org.uk/art/artworks/waterhouse-saint-eulalia-n01542 |
| 15984 | N01543 | Waterhouse, John William | 583 | The Lady of Shalott | 1888 | Oil paint on canvas | 1888 | 1894 | 1530 | 2000 | http://www.tate.org.uk/art/artworks/waterhouse-the-lady-of-shalott-n01543 |
| 4500 | N01544 | Forbes, Stanhope Alexander | 190 | The Health of the Bride | 1889 | Oil paint on canvas | 1889 | 1894 | 1524 | 2000 | http://www.tate.org.uk/art/artworks/forbes-the-health-of-the-bride-n01544 |
| 12266 | N01545 | Pyne, James Baker | 436 | The Mulgrave Alum Works at Sandsend, Yorkshire Coast | 1844 | Oil paint on canvas | 1844 | 1894 | 927 | 1429 | http://www.tate.org.uk/art/artworks/pyne-the-mulgrave-alum-works-at-sandsend-yorkshire-coast-n01545 |
| 8861 | N01546 | Linnell, John | 351 | Reapers, Noonday Rest | 1865 | Oil paint on canvas | 1865 | 1894 | 940 | 1397 | http://www.tate.org.uk/art/artworks/linnell-reapers-noonday-rest-n01546 |
| 8862 | N01547 | Linnell, John | 351 | Contemplation | 1864–5 | Oil paint on canvas | 1864 | 1894 | 718 | 997 | http://www.tate.org.uk/art/artworks/linnell-contemplation-n01547 |
| 5764 | N01548 | Halswelle, Keeley | 233 | Pangbourne | 1881 | Oil paint on canvas | 1881 | 1894 | 908 | 1359 | http://www.tate.org.uk/art/artworks/halswelle-pangbourne-n01548 |
| 9651 | N01549 | Moore, Albert | 382 | Blossoms | 1881 | Oil paint on canvas | 1881 | 1894 | 1473 | 464 | http://www.tate.org.uk/art/artworks/moore-blossoms-n01549 |
| 5505 | N01550 | Goodwin, Albert | 215 | Shipwreck: Sinbad the Sailor Storing his Raft | 1887 | Oil paint on canvas | 1887 | 1894 | 1245 | 2007 | http://www.tate.org.uk/art/artworks/goodwin-shipwreck-sinbad-the-sailor-storing-his-raft-n01550 |
| 15894 | N01551 | Waller, Samuel | 576 | Success! | 1881 | Oil paint on canvas | 1881 | 1894 | 1346 | 2134 | http://www.tate.org.uk/art/artworks/waller-success-n01551 |
| 15895 | N01552 | Waller, Samuel | 576 | Sweethearts and Wives | 1882 | Oil paint on canvas | 1882 | 1894 | 1448 | 2019 | http://www.tate.org.uk/art/artworks/waller-sweethearts-and-wives-n01552 |
| 1868 | N01553 | Butler, Elizabeth | 71 | The Remnants of an Army | 1879 | Oil paint on canvas | 1879 | 1897 | 1321 | 2337 | http://www.tate.org.uk/art/artworks/butler-the-remnants-of-an-army-n01553 |
| 5901 | N01554 | Haynes-Williams, John | 246 | Ars Longa, Vita Brevis | 1877 | Oil paint on canvas | 1877 | 1894 | 1289 | 2115 | http://www.tate.org.uk/art/artworks/haynes-williams-ars-longa-vita-brevis-n01554 |
| 13059 | N01555 | Sadler, Walter Dendy | 469 | Thursday | 1880 | Oil paint on canvas | 1880 | 1894 | 864 | 1410 | http://www.tate.org.uk/art/artworks/sadler-thursday-n01555 |
| 13060 | N01556 | Sadler, Walter Dendy | 469 | A Good Story | 1881 | Oil paint on canvas | 1881 | 1894 | 622 | 819 | http://www.tate.org.uk/art/artworks/sadler-a-good-story-n01556 |
| 12346 | N01557 | Reid, John Robertson | 442 | A Country Cricket Match | 1878 | Oil paint on canvas | 1878 | 1894 | 1067 | 1816 | http://www.tate.org.uk/art/artworks/reid-a-country-cricket-match-n01557 |
| 3990 | N01558 | Douglas, Edwin | 156 | Alderneys (Mother and Daughter) | 1875 | Oil paint on canvas | 1875 | 1894 | 1422 | 1118 | http://www.tate.org.uk/art/artworks/douglas-alderneys-mother-and-daughter-n01558 |
| 2007 | N01559 | Carter, Samuel John | 86 | Morning with the Wild Red Deer | 1876 | Oil paint on canvas | 1876 | 1894 | 1485 | 2407 | http://www.tate.org.uk/art/artworks/carter-morning-with-the-wild-red-deer-n01559 |
| 7923 | N01560 | Kennington, Thomas Benjamin | 306 | Orphans | 1885 | Oil paint on canvas | 1885 | 1894 | 1016 | 762 | http://www.tate.org.uk/art/artworks/kennington-orphans-n01560 |
| 15996 | N01561 | Watts, George Frederic | 586 | Self-Portrait | 1864 | Oil paint on canvas | 1864 | 1898 | 648 | 521 | http://www.tate.org.uk/art/artworks/watts-self-portrait-n01561 |
| 5504 | N01562 | Goodall, Frederick | 214 | The Ploughman and the Shepherdess: Time of the Evening Prayer | 1897 | Oil paint on canvas | 1897 | 1898 | 1932 | 2448 | http://www.tate.org.uk/art/artworks/goodall-the-ploughman-and-the-shepherdess-time-of-the-evening-prayer-n01562 |
| 9511 | N01563 | Millais, Sir John Everett, Bt | 379 | Saint Stephen | 1895 | Oil paint on canvas | 1895 | 1894 | 1524 | 1143 | http://www.tate.org.uk/art/artworks/millais-saint-stephen-n01563 |
| 9512 | N01564 | Millais, Sir John Everett, Bt | 379 | A Disciple | 1895 | Oil paint on canvas | 1895 | 1894 | 1250 | 895 | http://www.tate.org.uk/art/artworks/millais-a-disciple-n01564 |
| 10394 | N01565 | Müller, William James | 391 | Caernarvon Castle | ?1837 | Oil paint on canvas | 1837 | 1895 | 1016 | 1524 | http://www.tate.org.uk/art/artworks/muller-caernarvon-castle-n01565 |
| 12643 | N01566 | Riviere, Briton | 453 | Sympathy | c.1878 | Oil paint on canvas | 1878 | 1897 | 451 | 375 | http://www.tate.org.uk/art/artworks/riviere-sympathy-n01566 |
| 13757 | N01567 | Stanley, Lady Dorothy | 520 | His First Offence | 1896 | Oil paint on canvas | 1896 | 1897 | 629 | 343 | http://www.tate.org.uk/art/artworks/stanley-his-first-offence-n01567 |
| 9362 | N01568 | Mason, George | 373 | Wind on the Wold | 1863 | Oil paint on canvas | 1863 | 1894 | 286 | 540 | http://www.tate.org.uk/art/artworks/mason-wind-on-the-wold-n01568 |
| 14076 | N01569 | Swan, John Macallan | 539 | The Prodigal Son | 1888 | Oil paint on canvas | 1888 | 1889 | 1118 | 1575 | http://www.tate.org.uk/art/artworks/swan-the-prodigal-son-n01569 |
| 12229 | N01570 | Prinsep, Valentine Cameron | 434 | Ayesha | exhibited 1887 | Oil paint on canvas | 1887 | 1887 | 902 | 698 | http://www.tate.org.uk/art/artworks/prinsep-ayesha-n01570 |
| 9143 | N01571 | MacWhirter, John | 367 | June in the Austrian Tyrol | exhibited 1892 | Oil paint on canvas | 1892 | 1892 | 1260 | 1871 | http://www.tate.org.uk/art/artworks/macwhirter-june-in-the-austrian-tyrol-n01571 |
| 15985 | N01572 | Waterhouse, John William | 583 | The Magic Circle | 1886 | Oil paint on canvas | 1886 | 1886 | 1829 | 1270 | http://www.tate.org.uk/art/artworks/waterhouse-the-magic-circle-n01572 |
| 1899 | N01573 | Calderon, Philip Hermogenes | 77 | St Elizabeth of Hungary’s Great Act of Renunciation | 1891 | Oil paint on canvas | 1891 | 1891 | 1530 | 2134 | http://www.tate.org.uk/art/artworks/calderon-st-elizabeth-of-hungarys-great-act-of-renunciation-n01573 |
| 8577 | N01574 | Leighton, Lord Frederic | 342 | The Bath of Psyche | exhibited 1890 | Oil paint on canvas | 1890 | 1890 | 1892 | 622 | http://www.tate.org.uk/art/artworks/leighton-the-bath-of-psyche-n01574 |
| 15762 | N01575 | Von Herkomer, Sir Hubert | 571 | Found | 1884–5 | Oil paint on canvas | 1884 | 1885 | 1372 | 2305 | http://www.tate.org.uk/art/artworks/von-herkomer-found-n01575 |
| 5752 | N01576 | Hacker, Arthur | 229 | The Annunciation | 1892 | Oil paint on canvas | 1892 | 1892 | 2311 | 1257 | http://www.tate.org.uk/art/artworks/hacker-the-annunciation-n01576 |
| 12644 | N01577 | Riviere, Briton | 453 | Beyond Man’s Footsteps | exhibited 1894 | Oil paint on canvas | 1894 | 1894 | 1190 | 1845 | http://www.tate.org.uk/art/artworks/riviere-beyond-mans-footsteps-n01577 |
| 9450 | N01578 | Merritt, Anna Lea | 378 | Love Locked Out | 1890 | Oil paint on canvas | 1890 | 1890 | 1156 | 641 | http://www.tate.org.uk/art/artworks/merritt-love-locked-out-n01578 |
| 6999 | N01579 | Hunter, Colin | 288 | Their Only Harvest | 1879 | Oil paint on canvas | 1879 | 1879 | 1054 | 1822 | http://www.tate.org.uk/art/artworks/hunter-their-only-harvest-n01579 |
| 16493 | N01580 | Wyllie, William Lionel | 618 | Toil, Glitter, Grime and Wealth on a Flowing Tide | 1883 | Oil paint on canvas | 1883 | 1883 | 1156 | 1651 | http://www.tate.org.uk/art/artworks/wyllie-toil-glitter-grime-and-wealth-on-a-flowing-tide-n01580 |
| 6998 | N01581 | Hunt, Walter | 1325 | The Dog in the Manger | 1885 | Oil paint on canvas | 1885 | 1885 | 1016 | 1689 | http://www.tate.org.uk/art/artworks/hunt-the-dog-in-the-manger-n01581 |
| 11526 | N01582 | Pettie, John | 421 | The Vigil | exhibited 1884 | Oil paint on canvas | 1884 | 1884 | 1158 | 1703 | http://www.tate.org.uk/art/artworks/pettie-the-vigil-n01582 |
| 13909 | N01583 | Stone, Marcus | 529 | Il y en a toujours un autre | 1882 | Oil paint on canvas | 1882 | 1882 | 1537 | 705 | http://www.tate.org.uk/art/artworks/stone-il-y-en-a-toujours-un-autre-n01583 |
| 9513 | N01584 | Millais, Sir John Everett, Bt | 379 | Speak! Speak! | 1895 | Oil paint on canvas | 1895 | 1895 | 1676 | 2108 | http://www.tate.org.uk/art/artworks/millais-speak-speak-n01584 |
| 15997 | N01585 | Watts, George Frederic | 586 | Psyche | 1880 | Oil paint on canvas | 1880 | 1882 | 1886 | 597 | http://www.tate.org.uk/art/artworks/watts-psyche-n01585 |
| 12220 | N01586 | Poynter, Sir Edward | 433 | A Visit to Aesculapius | 1880 | Oil paint on canvas | 1880 | 1880 | 1511 | 2286 | http://www.tate.org.uk/art/artworks/poynter-a-visit-to-aesculapius-n01586 |
| 3876 | N01587 | Dicksee, Sir Frank | 149 | Harmony | 1877 | Oil paint on canvas | 1877 | 1877 | 1575 | 940 | http://www.tate.org.uk/art/artworks/dicksee-harmony-n01587 |
| 5551 | N01588 | Gow, Andrew Carrick | 218 | Cromwell at Dunbar | 1886 | Oil paint on canvas | 1886 | 1886 | 1206 | 1511 | http://www.tate.org.uk/art/artworks/gow-cromwell-at-dunbar-n01588 |
| 11370 | N01589 | Parsons, Alfred | 413 | ‘When Nature Painted all Things Gay’ | exhibited 1887 | Oil paint on canvas | 1887 | 1887 | 1054 | 1511 | http://www.tate.org.uk/art/artworks/parsons-when-nature-painted-all-things-gay-n01589 |
| 5541 | N01590 | Gotch, Thomas Cooper | 217 | Alleluia | exhibited 1896 | Oil paint on canvas | 1896 | 1896 | 1333 | 1841 | http://www.tate.org.uk/art/artworks/gotch-alleluia-n01590 |
| 2164 | N01591 | Chantrey, Sir Francis Legatt | 90 | Self-Portrait | c.1810 | Oil paint on canvas | 1810 | 1894 | 787 | 641 | http://www.tate.org.uk/art/artworks/chantrey-self-portrait-n01591 |
| 2794 | N01592 | Corbet, Matthew Ridley | 114 | Morning Glory | 1893–4 | Oil paint on canvas | 1893 | 1894 | 1245 | 2032 | http://www.tate.org.uk/art/artworks/corbet-morning-glory-n01592 |
| 2228 | N01593 | Clark, Joseph | 95 | Mother’s Darling | 1884 | Oil paint on canvas | 1884 | 1885 | 508 | 400 | http://www.tate.org.uk/art/artworks/clark-mothers-darling-n01593 |
| 16492 | N01594 | Wyllie, Charles William | 617 | Digging for Bait | 1877 | Oil paint on canvas | 1877 | 1877 | 660 | 1270 | http://www.tate.org.uk/art/artworks/wyllie-digging-for-bait-n01594 |
| 13464 | N01595 | Small, William | 501 | The Last Match | 1887 | Oil paint on canvas | 1887 | 1887 | 1308 | 1003 | http://www.tate.org.uk/art/artworks/small-the-last-match-n01595 |
| 15988 | N01596 | Waterlow, Sir Ernest Albert | 584 | Galway Gossips | exhibited 1887 | Oil paint on canvas | 1887 | 1887 | 762 | 1276 | http://www.tate.org.uk/art/artworks/waterlow-galway-gossips-n01596 |
| 9037 | N01597 | Macbeth, Robert Walker | 358 | The Cast Shoe | 1890 | Oil paint on canvas | 1890 | 1890 | 832 | 1372 | http://www.tate.org.uk/art/artworks/macbeth-the-cast-shoe-n01597 |
| 6701 | N01598 | Hook, James Clarke | 275 | The Stream | 1885 | Oil paint on canvas | 1885 | 1885 | 921 | 1511 | http://www.tate.org.uk/art/artworks/hook-the-stream-n01598 |